For two days Vandover hesitated between these two suites, undecided whether he should sacrifice his studio for his sitting-room, or his sitting-room for his studio. At length he came to the conclusion that as he was now to be an artist a good studio ought to be the first consideration, and that since he was to settle down to hard, serious work at last he owed it to himself to have a fitting place in which to paint; yes, decidedly he would take the suite with the studio. He went to the agent, told him of his decision, and put up a deposit to secure the rooms.
The same day upon which he took this decided step he had occasion to pass by both places in question. As he approached the apartment house in which the rejected suite was situated it occurred to him to tell the clerk in the office that he had decided against the rooms; he could take a last look at them at the same time.
He was shown up to the rooms again, and walked about in the sitting-room, asking the same questions about the heat, the plumbing, and the baths. He even went to the window and looked out into the street. It was a first-rate berth just the same, and how jolly it would be to lounge in the window-seat of a morning, with a paper, a cigarette, and a cup of coffee, watching the people on their way downtown; the women going to their shopping and morning's marketing. Then all at once he remembered that at most he would only have these rooms for five months, and reflected that if his whole life was to be devoted to painting he might easily put up with an inconvenient studio for a few months. Once at Paris all would be different.
At that the rooms took on a more charming aspect than ever; never had they appeared cheerier, sunnier, more comfortable; never had the oak mantel and the tiled stove with the flamboyant ornaments been more desirable; never had a window-seat seemed more luxurious, never a pipe-rack more delectable, while at the same time, the other rooms, the rooms of the big studio, presented themselves to his imagination more sombre, uncomfortable, and forbidding than ever. It was out of the question to think of living there; he was angry with himself for having hesitated so long. But suddenly he remembered the deposit he had already made; it was ten dollars; for a moment he paused, then dismissed the matter with an impatient shrug of the shoulders. "So much the worse," he said. "What's ten dollars?" He made up his mind then and there and went downstairs, walking on his heels, to tell the clerk that after all he would engage the rooms from that date.
Chapter Twelve
Vandover took formal possession of his rooms on Sutter Street during the first few days of February. For a week previous they had been in the greatest confusion: the studio filled with a great number of trunks, crates, packing cases, and furniture still in its sacking. In the bedroom was stored the furniture that had been moved out of the sitting-room, while the sitting-room itself was given over to the paperhangers and carpenters. Vandover himself appeared from time to time, inquiring anxiously as to the arrival of his "stuff," or sitting on a packing-case, his hands in his pockets, his hat pushed back, and a cigarette between his lips.
He had passed a delightful week selecting the wall paper and the pattern for the frieze, buying rugs, screens, Assyrian bas-reliefs, photogravures of Renaissance portraits, and the famous tiled stove with its flamboyant ornaments. Just after renting his home he had had a talk with the English gentleman of the fruit syndicate and had spoken about certain ornaments and bits of furniture, valuable chiefly to himself, which he wished to keep. The president of the fruit syndicate had been very gracious in the matter, and as soon as Vandover had taken his rooms he had removed two great cases of such articles from the California Street house and had stored them in the studio.
After the workmen were gone away Vandover began the labour of arrangement, aided by one of the paperhangers he had retained for that purpose. It was a work of three days, but at last everything was in its place, and one evening toward the middle of the month Vandover stood in the middle of the sitting-room in his shirt-sleeves, holding the tweezers and a length of picture-wire in his hand, and looked around him in his new home.
The walls were hung with dull blue paper of a very rough texture set off by a narrow picture moulding of ivory white. A dark red carpet covered with rugs and skins lay on the floor. Upon the left-hand wall, reaching to the floor, hung a huge rug of sombre colours against which were fixed a fencing trophy, a pair of antlers, a little water colour sketch of a Norwegian fjord, and Vandover's banjo; underneath it was a low but very broad divan covered with corduroy. To the right and left of this divan stood breast-high bookcases with olive green curtains, their tops serving as shelves for a multitude of small ornaments, casts of animals by Fremiet and Barye, Donatello's lovely femme inconnue, beer steins, a little bronze clock, a calendar, and a yellow satin slipper of Flossie's in which Vandover kept Turkish cigarettes. The writing-desk with the huge blue blotter in a silver frame, the paper-cutter, and the enormous brass inkstand filled the corner to the right of the divan, while drawn up to it was the huge leather chair, the chair in which the Old Gentleman had died. In the drawer of the desk Vandover kept his father's revolver; he never thought of loading it; of late he had only used it to drive tacks with, when he could not find the hammer. Opposite the divan, on the other side of the room, was the famous tiled stove with the flamboyant ornaments; back of this the mantel, and over the mantel a row of twelve grotesque heads in plaster, with a space between each for a pipe. To the left in the angle of the room stood the Japanese screen in black and gold, and close to this a tea-table of bamboo and a piano-lamp with a great shade of crinkly red paper that Turner Ravis had given to Vandover one Christmas. The bay window was filled by the window-seat, covered with corduroy like the divan and heaped with cushions, one of them of flaming yellow, the one spot of vivid colour amidst the dull browns and sombre blues of the room. A great sideboard with decanters and glasses and chafing-dishes faced the window from the end wall. The entrance to the studio opened to the left of it, which entrance Vandover had hung with curtains of dust-brown plush.