Vandover took his greatest pleasure while in his new quarters, delighted to be pottering about his sitting-room by the hour, setting it to rights, rearranging the smaller ornaments, adjusting the calendar, winding the clock and, above all, tending the famous tiled stove.
In his idleness he grew to have small and petty ways. The entire day went in doing little things. He passed one whole afternoon delightfully, whittling out a new banjo bridge from the cover of a cigar-box, scraping it smooth afterward with a bit of glass. The winding of his clock was quite an occurrence in the course of the day, something to be looked forward to. The mixing of his tobacco was a positive event and undertaken with all gravity, while the task of keeping it moist and ripe in the blue china jar, with the sponge attachment, that always stood on the bamboo tea-table by the Japanese screen, was a wearing anxiety that was yet a pleasure.
It became a fad with him to do without matches, using as a substitute "lights," tapers of twisted paper to be ignited at the famous stove. He found amusement for two days in twisting and rolling these "lights," cutting frills in the larger ends with a pair of scissors, and stacking them afterward in a Chinese flower jar he had bought for the purpose and stood on top of the bookcases. The lights were admirably made and looked very pretty. When he had done he counted them. He had made two hundred exactly. What a coincidence!
But the stove, the famous tiled stove with flamboyant ornaments, was the chiefest joy of Vandover's new life. He was delighted with it; it was so artistic, so curious, it kept the fire so well, it looked so cheerful and inviting; a stove that was the life and soul of the whole room, a stove to draw up to and talk to; no, never was there such a stove! There was hardly a minute of the day he was not fussing with it, raking it down, turning the damper off and on, opening and shutting the door, filling it with coal, putting the blower on and then taking it off again, sweeping away the ashes with a little brass-handled broom, or studying the pictures upon the tiles: the "Punishment of Caliban and His Associates," "Romeo and Juliet," the "Fall of Phaeton." He even pretended to the chambermaid that he alone understood how to manage the stove, forbidding her to touch it, assuring her that it had to be coaxed and humoured. Often late in the evening as he was going to bed he would find the fire in it drowsing; then he would hustle it sharply to arouse it, punching it with the poker, talking to it, saying: "Wake up there, you!" And then when the fire was snapping he would sit before it in his bathrobe, absorbing its heat luxuriously and scratching himself, as was his custom, for over an hour.
But very often in the evening he would have the boys, Ellis, Geary, and young Haight, up to a little improvised supper. They would bring home tamales with them, and Vandover would try to make Welsh rabbits, which did not always come out well and which they oftentimes drank instead of ate. Ellis, always very silent, would mix and drink cocktails continually. Vandover would pick his banjo, and together with young Haight would listen to Geary.
"Ah, you bet," this one would say, "I'm going to make my pile in this town. I can do it. Beale sent me to court the other morning to get the judge's signature. He had a grouch on, and wanted to put me off. You ought to have heard me jolly him. I talked right up to him! Yes, sir; you bet! Didn't I have the gall? That's the way you want to do to get along—get right in and not be afraid. I got his signature, you bet. Ah, I'm right in it with Beale; he thinks I'm hot stuff."
Now that there was nothing to worry him, and little to occupy his mind, Vandover gave himself over considerably to those animal pleasures which he enjoyed so much. He lay abed late in the morning, dozing between the warm sheets; he overfed himself at table, and drank too much wine; he ate between meals, having filled his sideboard with canned patés, potted birds, and devilled meats; while upon the bamboo table stood a tin box of chocolates out of which he ate whole handfuls at a time. He would take this box into the bathroom with him and eat while he lay in the hot water until he was overcome by the enervating warmth and by the steam and would then drop off to sleep.
It was during these days that Vandover took up his banjo-playing seriously, if it could be said that he did anything seriously at this time. He took occasional lessons of a Mexican in a room above a wigmaker's store on Market Street, and learned to play by note. For a little time he really applied himself; after he had mastered the customary style of play he began to affect the more brilliant and fancy performances, playing two banjos at once, or putting nickels under the bridge and picking the strings with a calling-card to imitate a mandolin. He even made up some comical pieces that had a great success among the boys. One of these he called the "Pleasing Pan-Hellenic Production"; another was the imitation of the "Midway Plaisance Music," and a third had for title "A Sailor Robbing a Ship," in which he managed to imitate the sounds of the lapping of the water, the creaking of the oarlocks, the tramp of the sailor's feet upon the deck, the pistol shot that destroyed him, and—by running up the frets on the bass-string—his dying groans, a finale that never failed to produce a tremendous effect.