“I was invited to dine at Mr. Bancroft’s yesterday with Miss Margaret Fuller; but Providence had given me some business to do, for which I was very thankful.”
Had Hawthorne already encountered this remarkable woman with the feminine heart and masculine mind, and had he already conceived that aversion for her which is almost painfully apparent in his Italian diary? Certainly in many respects they were antipodes.
The Whig party came into power on March 4, 1841, with “Tippecanoe” for a figure-head and Daniel Webster as its conductor of the “grand orchestra.” A month later Bancroft was removed, and Hawthorne went with him, not at all regretful to depart. In fact, he had come to feel that he could not endure the Custom House, or at least his particular share of it, any longer. One object he had in view in accepting the position was, to obtain practical experience, and this he certainly did in a rough and unpleasant manner. The experience of a routine office, however, is not like that of a broker who has goods to sell and who must dispose of them to the best advantage, in order to keep his reputation at high-water mark; nor is it like the experience of a young doctor or a lawyer struggling to obtain a practice. Those are the men who know what life actually is; and it is this thoroughness of experience which makes the chief difference between a Dante and a Tennyson.
These reflections lead directly to Hawthorne’s casual and oft-repeated commentary on American politicians. He wrote March 15:
“I do detest all offices—all, at least, that are held on a political tenure. And I want nothing to do with politicians. Their hearts wither away, and die out of their bodies. Their consciences are turned to india-rubber, or to some substance as black as that, and which will stretch as much. One thing, if no more, I have gained by my custom-house experience,—to know a politician.” {Footnote: American Notebook, i. 220.}
This seems rather severe, but at the time when Hawthorne wrote it, American politics were on the lowest plane of demagogism. It was the inevitable result of the spoils-of-office system, and the meanest species of the class were the ward politicians who received small government offices in return for services in canvassing ignorant foreign voters. They were naturally coarse, hardened adventurers, and it was such that Hawthorne chiefly came in contact with in his official business. Cleon, the brawling tanner of Athens, has reappeared in every representative government since his time, and plays his clownish part with multifarious variations; but it is to little purpose that we deride the men who govern us, for they are what we and our institutions have made them. If we want better representatives, we must mend our own ways and especially purge ourselves of political cant and national vanity,—which is the food that ward politicians grow fat on. The profession of a politician is based on instability, and he cannot acquire, as matters now stand, the solidity of character that we look for in other professions.
So far, however, was Hawthorne at this juncture from considering men and things critically, that he closes the account of his first government experience in this rather optimistic manner:
“Old Father Time has gone onward somewhat less heavily than is his wont when I am imprisoned within the walls of the Custom-house. My breath had never belonged to anybody but me. It came fresh from the ocean....
“... It was exhilarating to see the vessels, how they bounded over the waves, while a sheet of foam broke out around them. I found a good deal of enjoyment, too, in the busy scene around me. It pleased me to think that I also had a part to act in the material and tangible business of this life, and that a portion of all this industry could not have gone on without my presence.” {Footnote: American Note-book, i. 230.}
When Hawthorne philosophizes it is not in old threadbare proverbs or Orphic generalities, but always specifically and to the point.