ARLA AND THE SACRISTAN.

If Rondaine had been famed for anything at all, it would have been for the number of its clocks. It had many churches, some little ones in dark side streets, and some larger ones in wider avenues, besides here and there a very good-sized church fronting on a park or open square; and in the steeple of each of these churches there was a clock.

There were town buildings, very old ones, which stood upon the great central square. Each of these had a tower, and in each tower was a clock.

Then there were clocks at street corners, and two clocks in the market-place, and clocks over shop-doors, a clock at each end of the bridge, and several large clocks a little way out of town. Many of these clocks were fashioned in some quaint and curious way. In one of the largest a stone man came out and struck the hours with a stone hammer, while a stone woman struck the half-hours with a stone broom; and in another an iron donkey kicked the hours on a bell behind him.

It would be impossible to tell all the odd ways in which the clocks of Rondaine struck; but in one respect they were alike: they all did strike. The good people of the town would not have tolerated a clock which did not strike.

It was very interesting to lie awake in the night and hear the clocks of Rondaine strike. First would come a faint striking from one of the churches in the by-streets, a modest sound, as if the clock was not sure whether it was too early or not; then from another quarter would be heard a more confident clock striking the hour clearly and distinctly.

When they were quite ready, but not a moment before, the seven bells of the large church on the square would chime the hour; after which, at a respectful interval of time, the other church clocks of the town would strike. After the lapse of three or four minutes, the sound of all these bells seemed to wake up the stone man in the tower of the town-building, and he struck the hour with his hammer. When this had been done, the other town-clocks felt at liberty to strike, and they did so. And when every sound had died away, so that he would be certain to be heard if there was anyone awake to hear, it would be very likely that the iron donkey would kick out the hour on his bell. But there were times when he kicked before any of the clocks began to strike.

One by one the clocks on the street corners struck, the uptown ones first, and afterward those near the river. These were followed by the two clocks on the bridge, the one at the country end waiting until it was quite sure that the one at the town end had finished. Somewhat later would be heard the clock of Vougereau, an old country-house in the suburbs. This clock, a very large one, was on the top of a great square stone tower, and from its age it had acquired a habit of deliberation; and when it began to strike people were very apt to think that it was one o’clock, until after an interval another stroke would tell them that it was later or earlier than that, and if they really wanted to know what hour the old clock was striking they must give themselves time enough to listen until they were entirely certain that it had finished.

The very last clock to strike in Rondaine was one belonging to a little old lady with white hair, who lived in a little white house in one of the prettiest and cleanest streets in the town. Her clock was in a little white tower at the corner of her house, and was the only strictly private clock which was in the habit of making itself publicly heard. Long after every other clock had struck, and when there was every reason to believe that for some time nothing but half-hours would be heard in Rondaine, the old lady’s clock would strike quickly and with a tone that said, “I know I am right, and I wish other people to know it.”

In a small house which stood at a corner of two streets in the town there lived a young girl named Arla. For a year or more this young girl had been in the habit of waking up very early in the morning, sometimes long before daylight, and it had become a habit with her to lie and listen to the clocks. Her room was at the top of the house, and one of its windows opened to the west and another to the south, so that sounds entered from different quarters. Arla liked to leave these windows open so that the sounds of the clocks might come in.