"And if I have any other opportunities of interpolating myself, so to speak," said Miss Raleigh, "shall I embrace them?"
Mrs. Easterfield laughed. "I don't want you to be too obviously zealous," she answered. "I think for the present we may relax our efforts to relieve Miss Asher of annoyance." Mrs. Easterfield believed this. She had faith in Olive; and if that young woman had promised to give Claude Locker another hearing the next day she did not believe that the girl would give anybody else a positive answer before that time.
Miss Raleigh went away not altogether satisfied. She did not believe in relaxed vigilance; for one thing, it was not interesting.
Olive was surprised when she found that Mr. Lancaster was to stay to dinner, and afterward when she was informed that he had been invited to spend a few days, she reflected. It looked like some sort of a plan, and what did Mrs. Easterfield mean by it? She knew the lady of the house had a very good opinion of the young professor, and that might explain the invitation at this particular moment, but still it did look like a plan, and as Olive had no sympathy with plans of this sort she determined not to trouble her head about it. And to show her non-concern, she was very gracious to Mr. Lancaster, and received her reward in an extremely interesting conversation.
Still Olive reflected, and was not in her usual lively spirits. Mr. Fox said to Mrs. Fox that it was an abominable shame to allow a crowd of incongruous young men to swarm in upon a country house party, and interfere seriously with the pleasures of intelligent and self-respecting people.
That night, after Mrs. Easterfield had gone to bed, and before she slept, she heard something which instantly excited her attention; it was the sound of a guitar, and it came from the lawn in front of the house. Jumping up, and throwing a dressing-gown about her, she cautiously approached the open window. But the night was dark, and she could see nothing. Pushing an armchair to one side of the window, she seated herself, and listened. Words now began to mingle with the music, and these words were French. Now she understood everything perfectly. Mr. Du Brant was a musician, and had helped himself to the guitar in the library.
From the position in which she sat Mrs. Easterfield could look upon a second-story window in a projecting wing of the house, and upon this window, which belonged to Olive's room, and which was barely perceptible in the gloom, she now fixed her eyes. The song and the thrumming went on, but no signs of life could be seen in the black square of that open window.
Mrs. Easterfield was not a bad French scholar, and she caught enough of the meaning of the words to understand that they belonged to a very pretty love song in which the flowers looked up to the sky to see if it were blue, because they knew if it were the fair one smiled, and then their tender buds might ope; and, if she smiled, his heart implored that she might smile on him. There was a second verse, much resembling the first, except that the flowers feared that clouds might sweep the sky; and they lamented accordingly.
Now, Mrs. Easterfield imagined that she saw something white in the depths of the darkness of Olive's room, but it did not come to the front, and she was very uncertain about it. Suddenly, however, something happened about which she could not be in the least uncertain. Above Olive's room was a chamber appropriated to the use of bachelor visitors, and from the window of this room now burst upon the night a wild, unearthly chant. It was a song with words but without music, and the voice in which it was shot out into the darkness was harsh, was shrill, was insolently blatant. And thus the clamorous singer sang:
"My angel maid—ahoy!
If aught should you annoy,
By act or sound,
From sky or ground,
I then pray thee
To call on me
My angel maid—ahoy,
My ange—my ange—l maid
Ahoy! Ahoy! Ahoy!"