"I cannot remember at this moment," I said, "where we left off."
"I can tell you exactly," she answered, "just as well as if I had the manuscript before me. Tomaso held Lucilla by the hand; the cart was ready in which he was to travel to the sea-coast; they were calling him to hurry; and he was trying to look into her face, to see if he should tell her something that was in his heart. You had not yet said what it was that was in his heart. There was a chance, you know, that it might be that he felt it necessary for her good that the match should be broken off."
"How did you arrange this in the endings you made?" I asked. "Did you break off the match?"
"Don't let us bother about my endings," she said. "I want to know yours."
XXXII.
TOMASO AND LUCILLA.
On this happy morning, sitting in the shade with Sylvia, I should have much preferred to talk to her of herself and of myself than to dictate the story of the Sicilian lovers; but if I would keep her with me I must humor her, at least for a time, and so, as well as I could, I began my story.
The situation was, however, delightful: it was charming to sit and look at Sylvia, her portfolio in her lap, pen in hand, and her blue eyes turned toward me, anxiously waiting for me to speak; it was so enchanting that my mind could with difficulty be kept to the work in hand. But it would not do to keep Sylvia waiting. Her pen began to tap impatiently upon the paper, and I went on. We had written a page or two when she interrupted me.
"It seems to me," she said, "that if Tomaso really starts for Naples it will be a good while before we get to the end of the story. So far as I am concerned, you know, I would like the story just as long as you choose to make it; but we haven't very much time, and it would be a dreadful disappointment to me if I should have to go away before the story is ended."