The young man drew the baby-carriage to the bench by the rail and, seating himself, gazed with interest upon its youthful occupant. This individual appeared to be about two years of age, with its mother's eyes and a combative disposition. The latter was indicated by the manner in which it banged its own legs and the sides of its carriage with a wicker bludgeon that had once been a rattle. It looked earnestly at the young man, and gave the edges of its carriage a whack which knocked the bludgeon out of its hand. Lodloe picked up the weapon, and, restoring it to its owner, began to commune with himself.

"It is the same old story," he thought. "The mother desires to be rid of the infant; she leaves it for a moment in the charge of a stranger; she is never seen again. However, I accept the situation. If she doesn't come back this baby is mine. It seems like a good sort of baby, and I think I shall like it. Yes, youngster, if your mother doesn't come back you are mine. I shall not pass you over to the police or to any one else; I shall run you myself."

It was now half-past nine. Lodloe arose and looked out over the pier. He could see nothing of the young mother. The freight was all on board, and they were hauling up the forward gang-plank. One or two belated passengers were hurrying along the pier; the bell was ringing; now the passengers were on board, the aft gang-plank was hauled in, the hawsers were cast off from the posts, the pilot's bell jingled, the wheels began to revolve, and the great steamboat slowly moved from its pier.

"I knew it," said Lodloe, unconsciously speaking aloud; "she hadn't the slightest idea of coming back. Now, then," said he, "I own a baby, and I must consider what I am to do with it. One thing is certain, I intend to keep it. I believe I can get more solid comfort and fun out of a baby than I could possibly get out of a dog or even a horse."

Walter Lodloe was a young man who had adopted literature as a profession. Earlier in life he had worked at journalism, but for the last two years he had devoted himself almost entirely to literature pure and simple. His rewards, so far, had been slight, but he was not in the least discouraged, and hoped bravely for better things. He was now on his way to spend some months at a quiet country place of which he had heard, not for a summer holiday, but to work where he could live cheaply and enjoy outdoor life. His profession made him more independent than an artist—all he needed were writing materials, and a post-office within a reasonable distance.

Lodloe gazed with much satisfaction at his new acquisition. He was no stickler for conventionalities, and did not in the least object to appear at his destination—where he knew no one—with a baby and a carriage.

"I'll get some country girl to take care of it when I am busy," he said, "and the rest of the time I'll attend to it myself. I'll teach it a lot of things, and from what I have seen of youngster-culture I shouldn't wonder if I should beat the record."

At this moment the baby gave a great wave with its empty rattle, and, losing its hold upon it, the wicker weapon went overboard. Then, after feeling about in its lap, and peering over the side of the carriage, the baby began to whimper.

"Now then," thought the young man, "here's my chance. I must begin instantly to teach it that I am its master."

Leaning forward, he looked sternly into the child's face, and in a sharp, quick tone said: