The universe was plunged in darkness. Joy and goodwill, serenity and peace, hope and love, waned with the waning light. Evil spirits, who heretofore had crouched in dim corners, came forth and roamed abroad. Their grim laughter and discordant tones struck terror into all hearts.

Then it was that the gods, fearful for their safety and for the life of every beautiful thing, assembled in the bed of the tranquil River of Heaven, whose waters had been dried up. One and all knew that Ama-terasu alone could help them. But how allure the Heaven-Illuminating Spirit to set foot in this world of darkness and strife? Each god was eager to aid, and a plan was finally devised to entice her from her hiding-place.

Ame-no-ko uprooted the holy sakaki trees which grow on the Mountain of Heaven, and planted them around the entrance of the cave. High on the upper branches were hung the precious string of curved jewels which Izanagi had bestowed upon the Sun-Goddess. From the middle branches drooped a mirror wrought of the rare metals of the celestial mine. Its polished surface was as the dazzling brilliancy of the sun. Other gods wove, from threads of hemp and paper mulberry, an imperial robe of white and blue, which was placed, as an offering for the goddess, on the lower branches of the sakaki. A palace was also built, surrounded by a garden in which the Blossom-God called forth many delicate plants and flowers.

Ama-terasu gazed into the mirror, and wondered greatly when she saw therein a goddess of exceeding beauty.

Now all was ready. Ame-no-ko stepped forward, and, in a loud voice, entreated Ama-terasu to show herself. His appeal was in vain. The great festival began. Uzume, the goddess of mirth, led the dance and song. Leaves of the spindle tree crowned her head; club-moss, from the heavenly mount Kagu, formed her sash; her flowing sleeves were bound with the creeper-vine; and in her [!-- full page illustration --] [!-- blank page --] hand she carried leaves of the wild bamboo and waved a wand of sun-grass hung with tiny melodious bells. Uzume blew on a bamboo flute, while the eight hundred myriad deities accompanied her on wooden clappers and instruments formed of bow-strings, across which were rapidly drawn stalks of reed and grass. Great fires were lighted around the cave, and, as these were reflected in the face of the mirror, “the long-singing birds of eternal night” began to crow as if the day dawned. The merriment increased. The dance grew wilder and wilder, and the gods laughed until the heavens shook as if with thunder.

Ama-terasu, in her quiet retreat, heard, unmoved, the crowing of the cocks and the sounds of music and dancing, but when the heavens shook with the laughter of the gods, she peeped from her cave and said: “What means this? I thought heaven and earth were dark, but now there is light. Uzume dances and all the gods laugh.” Uzume answered: “It is true that I dance and that the gods laugh, because in our midst is a goddess whose splendour equals your own. Behold!” Ama-terasu gazed into the mirror, and wondered greatly when she saw therein a goddess of exceeding beauty. She stepped from her cave and forthwith a cord of rice-straw was drawn across the entrance. Darkness fled from the Central Land of Reed-Plains, and there was light. Then the eight hundred myriad deities cried: “O, may the Sun-Goddess never leave us again.”

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The Heavenly Messengers