‘In this ballad the reader will find traces of a singular superstition, not yet altogether discredited in the wilder parts of Scotland. The lykewake, or watching a dead body, in itself a melancholy office, is rendered, in the idea of the assistants, more dismally awful, by the mysterious horrors of superstition. In the interval betwixt death and interment, the disembodied spirit is supposed to hover around its mortal habitation, and, if provoked by certain rites, retains the power of communicating, through its organs, the cause of its dissolution. Such enquiries, however, are always dangerous, and never to be resorted to unless the deceased is suspected to have suffered foul play, as it is called.... One of the most potent ceremonies in the charm, for causing the dead body to speak, is setting the door ajar, or half open. On this account, the peasants of Scotland sedulously avoid leaving the door ajar while a corpse lies in the house. The door must either be left wide open or quite shut; but the first is always preferred, on account of the exercise of hospitality usual on such occasions. The attendants must be likewise careful never to leave the corpse for a moment alone, or, if it is left alone, to avoid, with a degree of superstitious horror, the first sight of it.’ —(Ed. 1803, vol. iii. pp. 251-2.)
YOUNG BENJIE
1.
Of a’ the maids o’ fair Scotland,
The fairest was Marjorie;
And young Benjie was her ae true love,
And a dear true-love was he.
2.
2.4 ‘plea,’ quarrel.
And wow! but they were lovers dear,