And I am weary of the skies,
For her sake that died for me.
SIR HUGH, OR THE JEW’S DAUGHTER
The Text is given from Jamieson’s Popular Ballads, as taken down by him from Mrs. Brown’s recitation.
The Story of the ballad is told at length in at least two ancient monastic records; in the Annals of the Monastery of Waverley, the first Cistercian house in England, near Farnham, Surrey (edited by Luard, vol. ii. p. 346, etc., from MS. Cotton Vesp, A. xvi. fol. 150, etc.); more fully in the Annals of the Monastery at Burton-on-Trent, Staffordshire (edited by Luard, vol. i. pp. 340, etc., from MS. Cotton Vesp. E. iii. fol. 53, etc.). Both of these give the date as 1255, the latter adding July 31. Matthew Paris also tells the tale as a contemporary event. The details may be condensed as follows.
All the principal Jews in England being collected at the end of July 1255 at Lincoln, Hugh, a schoolboy, while playing with his companions (jocis ac choreis) was by them kidnapped, tortured, and finally crucified. His body was then thrown into a stream, but the water, tantam sui Creatoris injuriam non ferens, threw the corpse back on to the land. The Jews then buried it; but it was found next morning above-ground. Finally it was thrown into a well, which at once was lit up with so brilliant a light and so sweet an odour, that word went forth of a miracle. Christians came to see, discovered the body floating on the surface, and drew it up. Finding the hands and feet to be pierced, the head ringed with bleeding scratches, and the body otherwise wounded, it was at once clear to all tanti sceleris auctores detestandos fuisse Judaeos, eighteen of whom were subsequently hanged.
Other details may be gleaned from various accounts. The name of the Jew into whose house the boy was taken is given as Copin or Jopin. Hugh was eight or nine years old. Matthew Paris adds the circumstance of Hugh’s mother (Beatrice by name) seeking and finding him.
The original story has obviously become contaminated with others (such as Chaucer’s Prioresses Tale) in the course of six hundred and fifty years. But the central theme, the murder of a child by the Jews, is itself of great antiquity; and similar charges are on record in Europe even in the nineteenth century. Further material for the study of this ballad may be found in Francisque Michel’s Hugh de Lincoln (1839), and J. O. Halliwell [-Phillipps]’s Ballads and Poems respecting Hugh of Lincoln (1849).
Percy in the Reliques (1765), vol. i. p. 32, says:— ‘If we consider, on the one hand, the ignorance and superstition of the times when such stories took their rise, the virulent prejudices of the monks who record them, and the eagerness with which they would be catched up by the barbarous populace as a pretence for plunder; on the other hand, the great danger incurred by the perpetrators, and the inadequate motives they could have to excite them to a crime of so much horror, we may reasonably conclude the whole charge to be groundless and malicious.’