Edgar explained the object of his visit. He was all the time acutely conscious of the room and its air of impenetrable richness, contrasting it without being aware that he did so with the less exquisite plainness of his own home, which represented so much more love and enterprise and so much less finished taste. It stiffened him a little.

"That had better be postponed," he said. "We can't discuss it now."

"I'd like to. Come and dance—and then we'll talk later on."

Monty's manner was cordial—friendly; and yet Edgar felt that it held perhaps a slight uneasiness. The beautifully-groomed air which always masked Monty was unchanged; but in those dark eyes and behind the assured manner lay something that was almost an appeal. Edgar shrank; but he accepted the invitation, and he was led into the studio.

ii

It had been cleared so as to provide ample floor-space for the guests. At the piano sat one man and by his side another who played upon a banjo. Both were in evening dress. A sportive young fellow had been adding to the noise by clashing tongs and fire-shovel together. About twenty people were in the studio altogether, of whom only a few of the men wore dinner jackets; and the dancing had not long been in progress. It was not yet a rowdy party, although it might later develop into one when the character of the music and the stimulation of the common movement should have had their effect. The studio walls rose high above the moving figures; and the place was quite different from what it had been when Edgar had seen it before. All that æsthetic blending of colour which he had noticed was now reduced. It was a large bare place, the chairs and divans withdrawn to the walls, and the decoration subdued. Hangings and rugs were gone: the walls were adorned only with casually hung or pinned sketches. The place seemed lighter and more airy, but it was wholly out of key with Edgar's recollection. Nor were the guests recognisable to him in that first glimpse. Edgar smiled as he turned aside to Monty, and then he heard the music cease. There came a babble from all round him. It was now that Edgar's heart gave a slight stir, for he saw that Patricia, who sat with her late partner at the farther end of the studio, was looking in his direction. She wore a plain dark dress which emphasised her fairness and the whiteness of her skin; but he could not tell at that distance of what material the dress was made nor how Patricia looked, so strong was the light. Instantly Edgar was delighted that he had come. He felt nothing more intense than delight—nothing more possessive; but he was engrossed, and could hardly attend to what Monty was saying.

"I'll introduce you to one or two of the girls. The others won't interest you. And we'll get away presently and have a talk. That suit you?"

Again Edgar was aware of that appeal. It revived his sense of stiffness, for he could never have pleaded for himself as this man was doing. In distaste for Monty's suppleness, Edgar found also something which gave him sudden personal interest in the man. He saw him very truly in that instant, in a quick glimpse. Monty was without pride. Therefore he was to be watched. Not merely treachery might arise, but insensitiveness, which upsets standards by unconsciousness that they exist. It was with a faint shrug that Edgar turned to be introduced to Rhoda Flower. Strange how instinctively contemptuous of suppleness an Englishman often is! Edgar did not under-rate Monty; but he despised him. Deep down, far below his awareness of judgment, lay the snorting epithet "Foreigner!" All his experience of life and his tolerance of moral defects could not annul that instinctive hostility to alien civilisation. Even while he was dancing with Rhoda, he was preoccupied with other perceptions. He did not speak; he hardly felt her there; but mechanically followed the rhythm of the dance.

Something awakened him. He could not dance with Rhoda without recognising her as a voluptuary; and he was interested in her from the knowledge that Rhoda's personality was, in spite of its mobility, surprisingly fixed for so young a girl as he supposed her to be. He looked sharply at his partner—at her black bobbed hair and her beautifully clear cheeks and eyes. There was something vaguely familiar about her face, and about the life which gave it constant vivacity of expression.

"I've seen you before, haven't I?" he said, frowning in the effort to remember.