La Voisin, like all the sorceresses, practised medicine. Among her papers were found recipes for the cure of pimples, a remedy for headache, the prescription for ‘a quintessence of hellebore which kept the Dean of Westminster alive for 166 years.’ She was a midwife, and especially a procurer of abortion. ‘Above the room (where she gave consultations) there was a sort of loft in which she procured abortions, and behind the room there was a recess with a stove, in which were found the charred remains of small human bones.’ Little children were burned in this stove. One day, in an effusive moment, La Voisin confessed that ‘she had burnt in the stove, or buried in the garden, the bodies of more than 2500 children prematurely born.’ Here again we come upon surprising particulars. The witch was very insistent that children thus brought into the world should be baptized before death. One evening La Lepère, a midwife friend of La Voisin, happened to be in the famous room with the witch’s husband. La Voisin, who was in the loft, came down suddenly in joyous haste and with radiant countenance, crying: ‘What luck! the child has been dipped!’
Such was the strange and horrible creature—the last of the great sorceresses who haunted the imagination of Michelet—the extraordinary woman whose crimes sent a shudder through the man who had heard the confessions of the most redoubtable criminals of his time—Nicolas de la Reynie.
We have a portrait of La Voisin by Antoine Coypel. She is represented on the way to execution in the linen shift of condemned criminals. Contemporaries depict her as a small stoutish woman, rather pretty, owing to her eyes, which were extraordinarily bright and piercing. The artist has given her a froglike expression, but no doubt he sketched her under the influence of a preconceived idea. Madame de Sévigné, who had a singular taste for this sort of spectacle, saw her mount to the stake: ‘La Voisin,’ she wrote, ‘very prettily surrendered her soul to the devil.’ The confessor of the sorceress has given his testimony to her edifying end: ‘I am loaded with so many crimes,’ she said with simple and profound emotion, ‘that I could not wish God to work a miracle to snatch me from the flames, because I cannot suffer too much for the sins I have committed.’
The Magician Lesage
La Voisin’s principal coadjutor was the magician Lesage. He was one by himself in this world of sorceresses, alchemists, and magicians. A sceptic among believers, he duped the women with whom he worked as well as the fashionable ladies who came to avail themselves of his art.
Originally from Venoix near Caen, his real name was Adam Cœuret. His portrait is sketched by La Vigoureux: ‘he wore a ruddy wig, was ill formed, clothed as a rule in grey, with a cloak of homespun.’ He was a wool merchant. Though he had a wife in Lower Normandy, he promised La Voisin that he would marry her if she became a widow. The first alias he chose was Duboisson. In 1667 he was arrested, condemned to the galleys for dealings with the devil, and liberated in 1672 through the kind offices of La Voisin. The galley in which he rowed was lying in sight of the port of Genoa when the pardon reached him.
Set at liberty, Cœuret returned to Paris, where he renewed his relations with the witches.
His whole art consisted in a remarkable talent for jugglery, by which he deceived the witches themselves, persuading them that he possessed ‘all the science of the cabala.’ They adopted him as partner in their lucrative operations. The reports of the examination of La Voisin give curious information on this head. ‘Lesage took a live pigeon in the Vale of Misery (on the quay of La Mégisserie, where poultry was sold) and burnt it in a warming-pan. Having then sifted its ashes, he put them in his room. It was the beginning of Lent, during which he used to recite the Passion of our Lord daily, with his feet in water, though it was freezing hard. Then he put a white cloth on the table, lit two tapers, and sent for three crystal glasses, with which having performed his “mystery,” which was Greek to La Voisin, he shut them up in a cupboard with a twig of laurel, and then, though he retained the key, he asked her for the three glasses and the laurel twig which he had locked in the cupboard. They were not found there; and then he said that he would give her nothing else to keep, and having sent her into the garden, she found them all three in a row in the summer-house. And when she asked him how he did that, Lesage said that he was one of the apostles and of the company of the Sibyls.’
At other times Lesage celebrated a sort of mass, got up as a priest. At the moment of the offertory he would break two pieces of ordinary bread, and after having made La Voisin and her husband kneel down, he gave them each a piece of bread ‘just as if they were at communion, and then made them drink some holy water which, as he said, he had turned into wine, and it was a liquid of an extremely pleasant taste.’ ‘A sergeant having come to La Voisin’s house to distrain on her at the instance of an upholsterer named Lenoir, La Voisin sent for Lesage, told him that she was ruined, and that there was something in the cupboard which must be taken away, namely, a consecrated wafer; and at the same time Lesage sent away the Marquise de Lusignan, who happened to be in the house, and told her to go home, and when she got there to put a white napkin on her bed, for something he was going to send her. And in fact the wafer was found by the marquise at her own house, without any one seeing who had taken it there.’
The pretended sorceries of Lesage thus consisted simply of clever conjuring tricks. They sufficed to amaze his clients. He made them write, for instance, requests to the devil in notes which he then pretended to throw in the fire, enclosed in balls of wax; and some days after he gave them back to them, saying that the devil, who had received them through the flames, had returned them.