A method of finding out the reason of a disease is by “head lifting.” A thong is tied round the head of the sick person or of a relative, who must lie down on the bed, the angakoq holding the thong. Then he asks his tornaq the reason of the sickness and the remedy. If the tornaq answers a question of the angakoq in the affirmative the head is easily lifted. In the other case it feels so heavy that he is unable to move it. Another method is by lifting a boot or a stone, which has been placed under the pillow of the patient. The angakut believe that the boot or stone becomes heavy and cannot be lifted when the tornaq answers their incantations.
At the beginning of some of their performances I have observed the angakoq crawling about in the passage of the hut, howling and shouting, while those inside kept on singing. Then he entered the hut and continued the incantations on the back part of the bed.
Sometimes their cure for sickness is laying a piece of burning wick upon the diseased part of the body and blowing it up into the air or merely blowing upon it.
Storm and bad weather, when lasting a long time and causing want of food, are conjured by making a large whip of seaweed, stepping to the beach, and striking out in the direction whence the wind blows, at the same time crying Taba (It is enough).
A great number of the performances of the angakut require much skill and expertness. Thus in invoking a tornaq or flying to a distant place they can imitate a distant voice by a sort of ventriloquism. In these performances they always have the lamps extinguished and hide themselves behind a screen hung up in the back part of the hut. The tornaq, being invoked, is heard approaching and shaking the hut. The angakoq believes that it is unroofed and flies with his spirit to their place of destination, to propitiate the wrath of a hostile tornaq, to visit the moon or Sedna’s dismal abode.
Part of their performances might almost be called juggling. Hall (II, p. 101) describes one of these performances:
The angakoq (Ar-too-a) now made use of three walrus spears. One of these he thrust into the wall of the snow house, and ***ran with it outside of the igdlu [house] where his ejaculations were responded to by the party inside with the cries of “Atte! Atte!” [Go on! Go on!]. Returning with his spear to the door, he had a severe wrestling match with four of the men, who overcame him. But coming again into the central igdlu, and having the lights which had been at the first patted down, relit, he showed the points of two spears apparently covered with fresh blood, which he held up in the presence of all.
The performance of the angakut in the Sedna feast, which will be described hereafter ([p. 604]) is quite astonishing. Some pierce their bodies with harpoons, evidently having bladders filled with blood fastened under their jackets beforehand, and bleed profusely as they enter the hut. (See Appendix, [Note 5].)
A memorable ceremony has been described by Hall (I, p. 469):
I heard a loud shout just outside [the hut]. As quick as thought, the Eskimo sprang for the long knives lying around, and hid them wherever they could find places. ***Immediately there came crawling into the low entrance to the hut a man with long hair completely covering his face and eyes. He remained on his knees on the floor of the hut, feeling round like a blind man at each side of the entrance, back of the firelight, the place where meat is usually kept, and where knives may generally be found. Not finding any, the angakoq slowly withdrew. ***If he had found a knife he would have stabbed himself in the breast.