Page [179].
1. Otis T. Mason, The Origins of Invention (London, 1895), pp. 315 et seq.
2. W J McGee, “The Beginning of Zooculture” (American Anthropologist, vol. x [1897], pp. 215 et seq.).
3. Ed. Hahn, Die Haustiere und ihre Beziehungen zur Wirtschaft des Menschen; Die Entstehung der Pflugkultur (Heidelberg, 1909).
Page [180].
1. H. Colley March, in Transactions of the Lancashire and Cheshire Antiquarian Society, 1886, “Polynesian Ornament a Mythology” (Journal of the Anthropological Institute of Great Britain and Ireland, vol. xxii [1893], pp. 307 et seq.). Hjalmar Stolpe, “Entwicklungserscheinungen in der Ornamentik der Naturvölker” (Mittheilungen der Anthropologischen Gesellschaft in Wien, vol. xxii [1892], pp. 19 et seq.). Charles H. Read, “On the Origin and Sacred Character of Certain Ornaments of the S. E. Pacific” (Journ. Anthr. Inst., vol. xxi [1892], pp. 139 et seq.).
2. A. C. Haddon, “The Decorative Art of British New Guinea” (Cunningham Memoirs, No. X [Dublin, 1894]).
3. Karl von den Steinen, Unter den Naturvölkern Zentral-Brasiliens (Berlin, 1894).
4. W. H. Holmes, “Ancient Art of the Province of Chiriqui, Colombia” (Sixth Annual Report of the Bureau of Ethnology [Washington, 1888], pp. 3 et seq.); F. W. Putnam, “Conventionalism in Ancient American Art” (Bulletin Essex Institute, vol. xviii [1886], pp. 155-167); George Grant McCurdy, “The Armadillo in the Ancient Art of Chiriqui” (Fifteenth International Congress of Americanists [Quebec, 1907], vol. ii, pp. 147-163).
5. Von den Steinen, “Prähistorische Zeichen und Ornamente” (Bastian Festschrift [Berlin, 1896], pp. 247-288). The general theory of ornament has been treated from this point of view by H. Colley March, “The Meaning of Ornament, or its Archæology and its Psychology” (Transactions of the Lancaster and Cheshire Antiquarian Society, 1889). A. C. Haddon, Evolution in Art (1895). Ernst Grosse, Die Anfänge der Kunst (1894).