The eclectic Stoics of the same period, and especially Posidonius of Apamea, gave this lunar eschatology a place in their system, and undertook to justify it by the physical doctrines of the Porch. According to them, souls, which are a burning breath, rose through the air towards the fires of the sky, in virtue of their lightness.[[234]] When they reached the upper zone, they found in the ether about the moon surroundings like their own essence and remained there in equilibrium. Conceived as material and as circular in form, they were, like the heavenly bodies, nourished by the exhalations which arose from the soil and the waters. These innumerable globes of a fire endowed with intelligence formed an animated chorus about the divine luminary of night. The Elysian Fields did not, in this theory, lie in the moon itself, which was no longer an earth inhabited by fantastic beings, but in the pure air about the moon whither penetrated only souls no less pure. This idea was to last until the end of paganism, although other eschatological doctrines then met with more favour. The emperor Julian in the beginning of his satire on the Caesars describes them as invited to a banquet held, as was proper, on a lower level than the feast of the gods, who met at the summit of heaven. “It seemed fitting,” he says,[[235]] “that the emperors should dine in the upper air just below the moon. The lightness of the bodies with which they had been invested and also the revolutions of the moon sustained them.”

The zone of the moon, the lowest of the seven planetary spheres, in which the serene ether touches our own foggy atmosphere, is the frontier between the world of the gods and that of men, the border between immortality and the generated, the line of demarcation between the life of blessedness and the death which our earthly existence really is. Aristotle had already noted the distinction between the two halves of the universe, the one active and the other passive, the heavens formed of unalterable ether and subject neither to progress nor to corruption, and our sublunary world composed of four elements, our world in which all is born, is transformed and dies. Neo-Pythagoreans and Neo-Stoics liked, in insisting on this opposition, to show the contrast between the splendour and the darkness, the serenity and the trouble, the constancy and the mutability, the truth and the error, the happiness and the misery, the peace and the war, which reigned respectively in the dwelling of the gods and in the abode of men, whither souls descending to earth penetrated so soon as they had crossed the circle of the moon. In imitation of Plato[[236]] this sublunary world is shown as a dark cave in which the captive souls, plunged in obscurity, aspire to see again the light from on high.

The funeral monuments of the imperial period have retained numerous traces of these beliefs. As we have already said (p. 94), the crescent often appears on them, either alone or together with other symbols. Other tombstones are still more expressive. A Roman relief, preserved in Copenhagen, is particularly characteristic: the bust of a little girl appears on it placed on a large crescent and surrounded by seven stars.[[237]] On this an inscription recently found at Didyma might serve as a commentary: “Standing before this tomb, look at young Chorô, virgin daughter of Diognetos. Hades has placed her in the seventh circle,”[[238]] that is, in the circle of the moon, which is the lowest of the seven planets.

We see that philosophy and physics had united to transform the old belief in the ascent of souls to the moon. The intervention of theories claiming to explain the systems of the world is still more marked in the other doctrines of astral immortality. It was this blending which made them strong enough to impose themselves on the minds of men. By their agreement with contemporary science, they satisfied reason and faith at the same time. But as all this theology really rested on a wrong cosmography, its lot was bound up with that of a false conception of the universe, and the two fell together.


The first of these doctrines appears to us the most reasonable because it is founded on the primordial rôle of the sun in our world. It was born in the East when the Chaldean priests deprived the moon of the pre-eminence originally ascribed to it, and recognised the unequalled importance of the sun in the cosmic system.[[239]] These astronomical theologians deduced from this recognition a theory which includes something like an anticipation of universal gravitation, and which was to prove seductive both by its greatness and by its logic. It spread through the ancient world in the second and first centuries B. C. There are some signs that the Pythagoreans, who were much addicted to the study of the heavenly bodies, were the first to adopt it, and with the propagation of Oriental astrology it obtained a wide diffusion in the West.

The sun, placed in the fourth rank or the middle of the planetary spheres,[[240]] like a king surrounded by his guards, was believed alternately to attract and repel the other celestial bodies by the force of his heat, and to regulate their harmonious movements as the coryphaeus directed the evolutions of a chorus. But since the stars were looked upon as the authors of all the physical and moral phenomena of the earth, he who determined the complicated play of their revolutions was the arbiter of destinies, the master of all nature. Placed at the centre of the great cosmic organism, he animated it to its utmost limits, and was often called the “heart of the world” whither its heat radiated.

But this well-ordered universe could not be directed by a blind force, and therefore the sun was an “intelligent light” (φῶς νοερόν). The pagan theologians looked upon him as the directive reason of the world (mens mundi et temperatio). The Pythagoreans saw in him Apollo Musagetes, the leader of the chorus of the Muses, who were placed in the nine circles of the world and whose accord produced the harmony of the spheres. Thus he became the creator of individual reason and director of the human microcosm. The author of generation, he presided over the birth of souls, while bodies developed under the influence of the moon. The radiant sun constantly sent down sparkles from his flaming circle to the beings he animated. The vital principle which nourished men’s material envelope and caused its growth was lunar, but the sun produced reason.

Inversely, when death had dissolved the elements which formed the human composite, when the soul had left the carnal prison which enclosed it, the sun once more drew it to himself. As his ardent heat caused vapours and clouds to rise from the earth and the seas, so he brought back to himself the invisible essence which animated the body. He exercised on the earth both a physical and a psychical attraction. Human reason reascended to its original source and returned to its divine home. The rays of the god were the vehicles of souls when they rose aloft to the higher regions.[[241]] He was the anagogue (ἀναγωγεύς) who withdrew spirits from matter which soiled them.

Just as he sent the planets away from him and brought them back by a series of emissions and absorptions, so he caused his burning effluvia to descend to the beings whom he called to life, and so he gathered them after their death that they might rise to him once more. Thus a cycle of migrations caused souls to circulate between the sky and the earth, as the stars alternately drew away from and returned to the radiant focus, heart and spirit of the Great All, which called forth and directed their eternal revolutions. It is easy to understand how this coherent and, it may be said, magnificent theology, founded on the discoveries of ancient astronomy at its zenith, imposed on Roman paganism the cult of the invincible Sun, the master of all nature, the creator and saviour of man.