There is no one of the master’s doctrines on which his disciples insist with more complacent assurance. They praise him for having freed men from the terrors of the Beyond; they thank him for having taught them not to fear death; his philosophy appears to them as a liberator of souls. Lucretius in his third book, of which eighteenth-century philosophers delighted to celebrate the merits, claims, with a sort of exaltation, to drive from men’s hearts “that dread of Acheron which troubles human life to its inmost depths.”[[10]] The sage sees all the cruel fictions, with which fable had peopled the kingdom of terrors, scattered abroad, and, when he has rid himself of the dismay which haunts the common man, which casts a mournful veil over things and leaves no joy unmixed, he finds a blessed calm, the perfect quietude or “ataraxia.”
This doctrine, which Lucretius preached with the enthusiasm of a neophyte won to the true faith, had a profound reaction in Rome. Its adepts in Cicero’s circle were numerous, including Cassius, the murderer of Caesar. Sallust goes so far as to make Caesar himself affirm, in full senate, that death, the rest from torment, dispels the ills which afflict mankind, that beyond it there is neither joy nor sorrow.[[11]] Men of science, in particular, were attracted by these theories. In a celebrated passage Pliny the Naturalist, after categorically declaring that neither the soul nor the body has any more sensation after death than before the day of birth, ends with a vehement apostrophe: “Unhappy one, what folly is thine who in death renewest life! Where will creatures ever find rest if souls in heaven, if shades in the infernal regions, still have feeling? Through this complacent credulity we lose death, the greatest boon which belongs to our nature, and the sufferings of our last hour are doubled by the fear of what will follow after. If it be indeed sweet to live, for whom can it be so to have lived? How much easier and more certain is the belief which each man can draw from his own experience, when he pictures his future tranquillity on the pattern of that which preceded his birth!”[[12]]
Even Seneca in one of his tragedies, an early work, makes the chorus of Trojan women declaim a long profession of faith which is the purest Epicureanism.[[13]]
The invasion of the Roman world by the Oriental mysteries and superstitions in the second century caused the unbelievers to exalt Epicurus yet higher. The satirist Lucian, using almost the same expressions as Lucretius, proclaims the truly sacred and divine character of him who alone knew the good with the true, and who transmitted it to his disciples, to whom he gave moral liberty.[[14]] Believers everywhere looked upon him as a terrible blasphemer. The prophet Alexander of Abonotichos enjoined all who would obtain divine graces to drive away with stones “atheists, Epicureans and Christians,” and exclude them from his mysteries.[[15]] He ordered by an oracle that the writings of him whom he called “the blind old man” should be burnt. When mysticism and Platonism triumphed in the Roman world, Epicureanism ceased to exist. It had disappeared in the middle of the fourth century, yet Julian the Apostate thought it advisable to include the writings of Epicurus among the books which were forbidden to the priests of his revived paganism.[[16]]
Thus during several centuries this philosophy had won a multitude of followers. The inscriptions bear eloquent witness to this fact. The most remarkable of them is a long text which was set out on the wall of a portico in the little town of Oenoanda in Lycia. A worthy citizen, Diogenes by name, who seems to have lived under the Antonines, was a convinced partisan of the doctrine of Epicurus; and feeling his end draw near, he wished to engrave an exposition thereof on marble for the present and future edification of his countrymen and of strangers. He does not fail to evince his contempt for death, at which, he says, he has learnt to mock. “I do not let myself be frightened by the Tityi and the Tantali whom some represent in Hades; horror does not seize me when I think of the putrefaction of my body ... when the links which bind our organism are loosened, nothing further touches us.”[[17]] These are ideas which we find reproduced everywhere, in various forms, for Epicureanism did not only win convinced partisans in the most cultivated circles, but also spread in the lowest strata of the population, as is proved by epitaphs expressing unbelief in an after life. Some do not go beyond a short profession of faith, “We are mortal; we are not immortal.”[[18]] One maxim is repeated so often that it is sometimes expressed only by initials, “I was not; I was; I am not; I do not care.”[[19]] So man goes back to nothingness whence he went forth. It has been remarked that this epigraphic formula was engraved especially on the tombs of slaves, who had slight reason for attachment to life. Gladiators also adopted the sentence: these wretched men, who were to prove their indifference to death in the arena, were taught that it marked the destruction of feeling and the term of their suffering.
The same thought is sometimes expressed less brutally, almost touchingly. Thus a comedian, who has spouted many verses and tramped many roads, voices in his epitaph the conviction that life is a loan, like a part in a play: “My mouth no longer gives out any sound; the noise of applause no longer reaches me; I paid my debt to nature and have departed. All this is but dust.”[[20]] Another actor, who recited Homer’s verses in the festivals, tells us that he “laughs at illusions and slumbers softly,” returning to the Epicurean comparison of death with an unconscious sleep which has no awakening.[[21]]
Some wordier unbelievers felt the need of enlarging on their negations.[[22]] “There is no boat of Hades, no ferryman Charon, no Aeacus as doorkeeper, no dog Cerberus. All we, whom death sends down to the earth, become bones and ashes and no more.... Offer not perfumes and garlands to my stele: it is but a stone; burn no fire: the expenditure is vain. If thou have a gift, give it me while I live. If thou givest to my ashes to drink, thou wilt make mud: and the dead will not drink.... When thou scatterest earth on my remains, say that I have again become as I was when I was not.” This last thought occurs frequently. Thus on a Roman tomb we read: “We are and we were nothing. See, reader, how swiftly we mortals go back from nothingness to nothingness.”[[23]]
Sometimes these dead adopt a joking tone which is almost macabre. Thus a freedman, merry to the grave, boasts of the amenities of his new state: “What remains of man, my bones, rests sweetly here. I no longer have the fear of sudden starvation; I am exempt from attacks of gout; my body is no longer pledged for my rent; and I enjoy free and perpetual hospitality.”[[24]]
Often a grosser Epicureanism recommends that we make profit of our earthly passage since the fatal term deprives us for ever of the pleasures which are the sovereign good. “Es bibe lude veni”—“Eat, drink, play, come hither”—is advice which is several times repeated.[[25]] Not uncommonly, variations occur, inspired by the famous epitaph which was on the alleged tomb of Sardanapalus and is resumed in the admonition: “Indulge in voluptuousness, for only this pleasure wilt thou carry away with thee”; or as it is expressed in the Epistle to the Corinthians, “Let us eat and drink, for tomorrow we die.”[[26]] So we read on a stone found near Beneventum: “What I have eaten and what I have drunk; that is all that belongs to me.”[[27]] A well-known distich states that “Baths, wine, and love impair our bodies, but baths, wine, and love make life”;[[28]] and a veteran of the army had advice based on his own example engraved on his tomb, “While I lived, I drank willingly; drink, ye who live.”[[29]] The exhortation to enjoy a life soon to be interrupted by death is a traditional theme which has lent itself to many developments in ancient and modern poetry. It is the formula which resumes the wisdom of the popular Epicureanism. Some silver goblets, found in Boscoreale near Pompeii,[[30]] show us philosophers and poets among skeletons, and inscriptions urging them to rejoice while they live, since no man is certain of the morrow. Epicurus appears in person, his hand stretching towards a cake on a table; and between his legs is a little pig lifting his feet and snout to the cake to take his share of it. Above the cake are the Greek words, ΤΟ ΤΕΛΟΣ ΗΔΟΝΗ, “The supreme end is pleasure.” Horace, when he advises us to live from day to day without poisoning the passing hour with hopes or fears for the future, speaks of himself, jestingly, as a fat “hog of Epicurus’ herd.”[[31]] It was thus that the vulgar interpreted the precepts of him who had in reality preached moderation and renunciation as the means of reaching true happiness.