edifying bits of original inspiration. A hymn to Isis, found on a marble monument in the island of Andros,[[6]] gives us some idea of these sacred compositions, although it is of more recent date.
In the second place, the artists replaced the old hieratic idols by more attractive images and gave them the beauty of the immortals. It is not known who created the figure of Isis draped in a linen gown with a fringed cloak fastened over the breast, whose sweet meditative, graciously maternal face is a combination of the ideals imagined for Hera and Aphrodite. But we know the sculptor of the first statue of Serapis that stood in the great sanctuary of Alexandria until the end of paganism. This statue, the prototype of all the copies that have been preserved, is a colossal work of art made of precious materials by a famous Athenian sculptor named Bryaxis, a contemporary of Scopas. It was one of the last divine creations of Hellenic genius. The majestic head, with its somber and yet benevolent expression, with its abundance of hair, and with a crown in the shape of a bushel, bespoke the double character of a god ruling at the same time both the fertile earth and the dismal realm of the dead.[[7]]
As we see, the Ptolemies had given their new religion a literary and artistic shape that was capable of attracting the most refined and cultured minds. But the adaptation to the Hellenic feeling and thinking was not exclusively external. Osiris, the god whose worship was thus renewed, was more adapted than any other to lend his authority to the formation of a syncretic faith. At a very early period, in fact before the time of Herodotus, Osiris had been identified with Dionysus, and Isis with Demeter. M. Foucart has
endeavored to prove in an ingenious essay that this assimilation was not arbitrary, that Osiris and Isis came into Crete and Attica during the prehistoric period, and that they were mistaken for Dionysus and Demeter[[8]] by the people of those regions. Without going back to those remote ages, we shall merely say with him that the mysteries of Dionysus were connected with those of Osiris by far-reaching affinities, not simply by superficial and fortuitous resemblances. Each commemorated the history of a god governing both vegetation and the underworld at the same time, who was put to death and torn to pieces by an enemy, and whose scattered limbs were collected by a goddess, after which he was miraculously revived. The Greeks must have been very willing to adopt a worship in which they found their own divinities and their own myths again with something more poignant and more magnificent added. It is a very remarkable fact that of all the many deities worshiped by the Egyptian districts those of the immediate neighborhood, or if you like, the cycle of Osiris, his wife Isis, their son Harpocrates and their faithful servant Anubis, were the only ones that were adopted by the Hellenic populations. All other heavenly or infernal spirits worshiped by the Egyptians remained strangers to Greece.[[9]]
In the Greco-Latin literature we notice two opposing attitudes toward the Egyptian religion. It was regarded as the highest and the lowest of religions at the same time, and as a matter of fact there was an abyss between the always ardent popular beliefs and the enlightened faith of the official priests. The Greeks and Romans gazed with admiration upon the splendor of the temples and ceremonial, upon the fabulous
antiquity of the sacred traditions and upon the erudition of a clergy possessed of a wisdom that had been revealed by divinity. In becoming the disciples of that clergy, they imagined they were drinking from the pure fountain whence their own myths had sprung. They were overawed by the pretensions of a clergy that prided itself on a past in which it kept on living, and they strongly felt the attraction of a marvelous country where everything was mysterious, from the Nile that had created it to the hieroglyphs engraved upon the walls of its gigantic edifices.[[10]] At the same time they were shocked by the coarseness of its fetichism and by the absurdity of its superstitions. Above all they felt an unconquerable repulsion at the worship of animals and plants, which had always been the most striking feature of the vulgar Egyptian religion and which, like all other archaic devotions, seems to have been practised with renewed fervor after the accession of the Saite dynasty. The comic writers and the satirists never tired of scoffing at the adorers of the cat, the crocodile, the leek and the onion. Juvenal says ironically: "O holy people, whose very kitchen-gardens produce gods."[[11]] In a general way, this strange people, entirely separated from the remainder of the world, were regarded with about the same kind of feeling that Europeans entertained toward the Chinese for a long time.
A purely Egyptian worship would not have been acceptable to the Greco-Latin world. The main merit of the mixed creation of the political genius of the Ptolemies consisted in the rejection or modification of everything repugnant or monstrous like the phallophories of Abydos, and in the retention of none but
stirring or attractive elements. It was the most civilized of all barbarian religions; it retained enough of the exotic element to arouse the curiosity of the Greeks, but not enough to offend their delicate sense of proportion, and its success was remarkable.
It was adopted wherever the authority or the prestige of the Lagides was felt, and wherever the relations of Alexandria, the great commercial metropolis, extended. The Lagides induced the rulers and the nations with whom they concluded alliances to accept it. King Nicocreon introduced it into Cyprus after having consulted the oracle of the Serapeum,[[12]] and Agathocles introduced it into Sicily, at the time of his marriage with the daughter-in-law of Ptolemy I (298).[[13]] At Antioch, Seleucus Callinicus built a sanctuary for the statue of Isis sent to him from Memphis by Ptolemy Euergetes.[[14]] In token of his friendship Ptolemy Soter introduced his god Serapis into Athens, where the latter had a temple at the foot of the Acropolis[[15]] ever after, and Arsinoë, his mother or wife, founded another at Halicarnassus, about the year 307.[[16]] In this manner the political activity of the Egyptian dynasty was directed toward having the divinities, whose glory was in a certain measure connected with that of their house, recognized everywhere. Through Apuleius we know that under the empire the priests of Isis mentioned the ruling sovereign first of all in their prayers.[[17]] And this was simply an imitation of the grateful devotion which their predecessors had felt toward the Ptolemies.
Protected by the Egyptian squadrons, sailors and merchants propagated the worship of Isis, the goddess of navigators, simultaneously on the coasts of Syria,