F. Liszt January 1st, 1851 My return to Weymar is unfortunately
again postponed for twenty days, by the doctor's orders, to which
I submit, although not personal to myself. [They referred to
Princess Wittgenstein, who was ill.]
71. To Leon Escudier, Music Publisher in Paris
[autograph in the possession of M. Arthur Pougin in Paris.—The addressee was at that time the manager of the periodical "La France Musicale," in which Liszt's Memoir of Chopin first appeared in detached numbers (beginning from February 9th, 1851).]
Weymar, February 4th, 1851
My dear Sir,
The proofs of the two first articles of my biographical study of Chopin ought to have reached you some days ago, for I corrected and forwarded them immediately on my return to Weymar. You will also find an indication of how I want them divided, which I shall be obliged if you will follow. Both on account of the reverence of my friendship for Chopin, and my desire to devote the utmost care to my present and subsequent publications, it is important to me that this work should make its appearance as free from defects as possible, and I earnestly request you to give most conscientious attention to the revision of the last proofs. Any alterations, corrections, and additions must be made entirely in accordance with my directions, so that the definitive publication, which it would be opportune to begin at once in your paper, may satisfy us and rightly fulfill the aim we have in view. If therefore your time is too fully occupied to give you the leisure to undertake these corrections, will you be so good as to beg M. Chavee [an eminent Belgian linguist, at that time a collaborator on the "France Musicale">[ (as you propose) to do me this service with the scrupulous exactitude which is requisite, for which I shall take the opportunity of expressing to him personally my sincere thanks?
In the matter of exactitude you would have some right to reproach me (I take it kindly of you to have passed it over in silence, but I have nevertheless deserved your reproaches, apparently at least) with regard to Schubert's opera ["Alfonso and Estrella," which Liszt produced at Weimar in 1854]. I hope Belloni has explained to you that the only person whom I can employ to make a clear copy of this long work has been overwhelmed, up to now, with pressing work. It will therefore be about three months before I can send you the three acts, the fate of which I leave in your hands, and for which, by the aid of an interesting libretto, we may predict good luck at the Opera Comique. I will return to this matter more in detail when I am in the position to send you the piano score (with voice), to which, as yet, I have only been able to give some too rare leisure hours, but which I promise you I will not put off to the Greek Calends!
As far as regards my opera, allow me to thank you for the interest you are ready to take in it. For my own part I have made up my mind to work actively at the score. I expect to have a copy of it ready by the end of next autumn. We will then see what can be done with it, and talk it over.
Meanwhile accept, my dear sir, my best thanks and compliments.
F. Liszt