If by any chance you have a spare copy of your new work, the exact title of which I do not remember, but it is somewhat as follows, "Opern am Clavier" [Operas at the Piano] or "Opern fur Clavierspieler" [Operas for Pianoforte Players] (or, in French, "Repertoire d'Opera pour les Pianistes"), I should be much obliged if you would let me have one.
Accept, dear sir, my best respects, and believe me
Yours truly,
F. Liszt
Weymar, April 16th, 1852
80. To Carl Reinecke
My dear Mr. Reinecke,
A very good friend of mine, Professor Weyden of Cologne, who has just been spending a few days with me here, kindly promises to give you these few lines and to tell you what pleasure your present of the "Variations on a Theme of Bach" has given me. It is a very eminent work, and perfectly successful in its actual form. While complimenting you sincerely upon it, I must also add my thanks that you have joined my name to it.
I should have liked to be able to send you some of my new works for piano, of which I spoke to you before; but, as I have been altering them and touching them up, the publication of them has been delayed; nevertheless, I expect that in the course of this summer the twelve "Grandes Etudes" (definitive edition) and the "Harmonies Poetiques et Religieuses" will successively appear, and in December or January next the "Annees de Pelerinage, Suite de Compositions pour le Piano," and the complete collection of my "Hungarian Rhapsodies." Meanwhile, let me offer you the "Concert Solo" and the two Polonaises which were written at Eilsen shortly after your visit to me there.
Joachim starts tomorrow for London, and I have commissioned him to persuade you to come and see me at Weymar on his return. I have been much attached to him this winter, and I hold his talent as well as himself in high esteem and true sympathy.—