"Oh, he did. It was Frank's mission to steal the picture. I confronted him with a revolver and locked him in one of the bedrooms. It took all my courage and good resolutions to prevent me from betraying myself to the poor fellow."
"Rather cruel of you, wasn't it?"
"Well, yes. But I wanted to make the exposure as complete as possible. When the time comes to strip Reginald Henson of his pretentions and flog him from the family, the more evidence we can pile up the better. But Frank is not bad; he is merely weak and utterly in the power of that man. If we can only break the bonds, Frank will be a powerful factor on our side."
"I daresay. But how was the Rembrandt stolen? Littimer's, I mean."
"It was worked through an accomplice," Chris explained. "It had to be done before you arrived. And there was no better time than night for the operation. I guessed that when Henson drew the fact from me that I liked the terrace after dinner. By a bit of good luck I found the accomplice and himself together in the day; in fact, I forced Reginald's hand so that he had to introduce me to the man."
"In which case you would know him again?"
"Of course. Presently I am going to show you a little more of the comedy. Well, I was on the terrace pretty late when I heard dear Reginald down the cliff calling for assistance. He pretended that he had slipped down the cliff and could not get up again. By the aid of a rope that fortunately happened to be close at hand I saved our dear friend's life. I have learnt from one of the gardeners just now that Reginald placed the rope there himself—a most effective touch, you must admit."
"Very," Bell said, drily. "But I quite fail to see why—"
"I am coming to that. Don't you see that if anything happened Reginald could prove that he was not near the house at the time? But just before that I saw his accomplice come up the cliff; indeed, he passed quite close to me on his way to the house. Reginald quite overlooked this fact in his heed for his own safety. When I had effected my gallant rescue I heard an owl hoot. Now, there are no owls about here.
"I guessed what that meant—it was a signal of success. Then I went back to the corridor and the Rembrandt was gone. The stays had been cut away. At first I was dreadfully upset, but the more I thought of it the more sure I was that it was all for the best."