Enid looked at him coolly. She could afford to do so now. All the danger was past, and she felt certain that the events of the evening were unknown to him.
"I might ask you the same question," she said. "You look white and shaken; you might have been thrown violently into a heap of stones. But please don't make a noise. It is not fitting now. Chris—"
Enid hesitated; the prevarication did not come so easily as she had expected.
"Chris has gone," she said. "She passed away an hour ago."
Henson muttered something that sounded like consolation. He could be polite and suave enough on occasions, but not to-night. Even philanthropists are selfish at times. Moreover, his nerves were badly shaken and he wanted a stimulant badly.
"I am going to bed," Enid said, wearily. "Goodnight."
She went noiselessly upstairs, and Henson passed into the library. He was puzzled over this sudden end of Christiana Henson. He was half inclined to believe that she was not dead at all; he belonged to the class of men who believe nothing without proof. Well, he could easily ascertain that for himself. There would be quite time enough in the morning.
For a long time Henson sat there thinking and smoking, as was his usual custom. Like other great men, he had his worries and troubles, and that they were mainly of his own making did not render them any lighter. So long as Margaret Henson was under the pressure of his thumb, money was no great object. But there were other situations where money was utterly powerless.
Henson was about to give it up as a bad job, for tonight at any rate. He wondered bitterly what his admirers would say if they knew everything. He wondered—what was that?
Somebody creeping about the house, somebody talking in soft, though distinct, whispers. His quick ears detected that sound instantly. He slipped into the hall; Margaret Henson was there, with the remains of what had once been a magnificent opera-cloak over her shoulders.