Copper, the base of so many alloys, has itself been found a useful alloy of most workable metals, not only in modern times but in years gone by. It is one of the best hardening agents in aluminium, the newer metal which is to some extent displacing copper and brass cooking pots and much ornamental metal-work. According to an expert, aluminium is tasteless, and possesses all the advantages of copper without its drawbacks. That being so, perhaps even vessels of brass, such as may still be seen in kitchens, may soon become obsolete and pass shortly into the rôle of the museum curio. Incidentally it may be mentioned that aluminium is not altogether a new metal, neither is its use confined to civilized countries, where metallurgists have proved its advantages; for the natives of the Philippines, Borneo, and other islands in the Pacific have long used it as an independent metal, and also for the purposes of ornamenting other materials. Many of the copper and brass curios brought into this country, the products of native smiths, working far from civilized lands, are partly made of aluminium, alloyed chiefly with native copper. The natives of Borneo melt it in fireclay crucibles over a coke fire, and are very clever at producing some remarkably fine pieces of metal-work, using different metals for the same object; thus some of their daggers have brass hilts and aluminium blades. The metal-worker has frequently introduced aluminium in the decoration of copper and brass gongs, some of the older examples from Japan being extremely decorative.

The Characteristics of the Metals.

Some collectors very wisely follow up their researches after new treasures by investigating the methods of their production, and they even visit modern works where similar methods, although more advanced, are going on. Very interesting indeed is it to watch the molten metal as it is mixed and poured into moulds and made into pigs. To see the great rolling mills through which the bars are passed, and to watch the hammering and drawing by the steam-hammer and powerful machinery, is an education which enhances the interest there is in the possession of finished goods—old and new.

It is said the brassfounder's requirements to-day are much the same as they have always been, although perhaps there are more iron moulds used and greater care is taken in their preparation. The mould must have a good surface and be composed of the right kind of iron. The best metal for the purpose appears to be one high in silica and low in combined carbon, thus securing a soft iron which will not crack when the molten metal strikes it. The science of metals is constantly being added to, and the research of chemists of recent years has done much towards improving the skill of present-day artists, most of whom, however, readily give praise to the almost intuitive skill of the artists of olden time.

The fashioning of copper and brass follows the preparation of the metal; there are many reasons why copper and its compounds and alloys have been so generally employed, one of the principal being that the ductility of copper has made it welcome wherever the hammer has been brought into play. The possibility of hammering out brass and copper, and especially the latter, is seen in the extreme fineness to which copper wire can be drawn. Hood uses the similitude when speaking of how travel improves the mind, and tells of the gradual narrowing of copper and brass as they become finer and finer, likening those who have not travelled to the narrowed metal. Collectors of curios show characteristic traits, twofold in application. There are some who get more broad-minded the farther they travel, the more museums they inspect, and the wider their knowledge of the antiquities they admire. Others, specialists for the most part, get into very narrow grooves, confining their hobbies to some one class of goods, not always the most interesting in public estimation; then they wonder how it is that their hobbies are not appreciated by their friends! Surely the greatest delight is in a representative collection, such as the hobby under review, which shows all the possibilities of copper and brass in their varied treatment. In the examples which have come down to us from the Ancients, in those schemes of decoration which mark clearly the work of the artists of some one country or period, and in those general collectable objects which have been brought together from everywhere, there is a liberal education:

"Some minds improve by travel; others, rather,

Resemble copper wire, or brass,

Which gets the narrower by going farther."