It is wisely said, "Fingers were made before spoons," a fact true enough, but as time went on and the habits and customs of men and women became less rough, although as yet hardly refined, a need sprang up for utensils for personal use. Hitherto cooking forks and spoons were used in the kitchen, but the hunting-knife mostly served at table. It is true spoons were in use in very early times and even by the common people. At first of iron or wood, afterwards made of brass and latten, they are found wherever there are remains of mediæval dwellings. A Scotchman is said to have declared that "the discovery of hot broth was an epoch in the evolution of man, and that as the ladle is to the pot so is the spoon to the bowl."
Such brass ewers and basins, known as aquamaniles, mostly of bronze (one of Continental make is illustrated in Fig. 11) were used for the purpose of washing the hands, over which the water was poured. They were used in connection with bowls. Another type of laving ewer is that of the gemellions, made in pairs, one portion being held under a person's hands while water was poured out of the spouted bowl. Gemellions seem to have been the somewhat clumsy prototypes of the more convenient jug and bowl of later days. The use of ewers and basin was very necessary both before and after meals when knives and spoons were little used and it was no uncommon thing for two persons to eat out of one dish.
In mediæval days even domestic articles were frequently decorated, for English and European metal-workers had caught the figure work of the Oriental school. Their ornament took the form of hunting and battle scenes. Sometimes patrons were eulogized, and flattering inscriptions covered the objects wrought for them by their servile dependents. In Fig. 18 there is shown a bucket or bath vessel now in the Victoria and Albert Museum, rather an unusual piece of early metal-work and an interesting mediæval curio. Not long ago a similar bucket was dug up in the neighbourhood of Weybridge.
We are apt to regard with disdain what we term the grandmotherly legislation which tampers with the liberty of the subject. The present day, however, is not alone remarkable for regulations by which the home life of the nation is controlled. The Norman law which ordered "lights out" when curfew rang cut short the "overtime" of the worker of that day. So stringent was the enforcement of that law that not a glimmer of light must be seen after the appointed time. To darken or extinguish the dying fire on the hearth the couvre de feu became a feature. Such covers of well authenticated antiquity are rare; the one illustrated in Fig. 12 is a well-preserved example now in the Bolton Museum.
Metal Signs and Badges.
In the early days when serfdom had not long ceased and the retainers of the nobles had not won their full freedom or independence, signs and symbols of their allegiance to some chief or overlord were plentiful. The Crusaders brought back with them signs, amulets, and various objects which they wore with more or less superstitious belief. The pilgrims to the most noted shrines in this country followed suit, and all these various purposes and mediæval customs have furnished the curio-hunter with many delightful reminders of the "good old days" when superstition and almost idolatry were rife. Old Father Thames has preserved many of them for centuries, and twentieth-century collectors are richer thereby.
In the Guildhall Museum in London there is a very complete and representative collection of pilgrims' signs. Although many of them are made of a soft metal, there are others of good copper and brass. At one time they must have been very plentiful, for very prolific have the finds been in the neighbourhood of London Bridge and in and around Southwark. These signs or badges were secured and worn by the pilgrims who set out to the chief shrines, notably that of St. Thomas à Becket at Canterbury. Chaucer in his Canterbury Tales has told that there were many traders in pilgrim signs in Canterbury city, so that all were enabled to possess themselves of such symbols, many of which they threw upon the shrine, and others retained them as talismans against danger on the return journey. The pilgrims wore a variety of emblems—the more devout, it is said, preferred the cross; others carried with them on their journey little metal figures of St. George, St. Katherine, St. Christopher, or other saint with his or her symbol. St. Agnes was represented by a lamb, St. John by an eagle, and St. Dorothy by a basket of fruit. Perhaps the most favoured sign purchased in Canterbury was an equestrian figure of St. Thomas à Becket. Some of the emblems were worn as protectors against evil, and such signs were almost invariably on horse trappings; indeed, such amulets have been perpetuated almost up to the present day. There are several circular discs in the museum referred to, said to date from the twelfth century, upon these are embossed two horned animals; another badge of a little later date, in copper, has upon it a shield of arms surrounded by three mythical dragons; it was found in Ludgate Hill. Yet another on which is a shield charged with seven stars, said to be of fourteenth-century workmanship, was found some time ago on the site of the old General Post Office in St Martin's-le-Grand.
The retainers of noblemen wore private badges by which they were known; these were mostly of brass or bronze, and sometimes they were gilded. They were frequently worn when on a journey as a passport. Such badges in the form of circles and lozenges were usually furnished with a loop for suspension, and became well known. They served a similar purpose to the distinctive livery of later days.