"How many typewriters have you in your offices, Mr. Baker? Machines, I mean, not operators."
"About thirty, I guess. Or maybe thirty-five. Why?"
"I want you to get me a sample of the writing of each machine, without letting anyone know about it. Put each one on a separate sheet of paper, with a note added, stating whose machine it is—that is, in whose office."
Mr. Baker nodded. "I'll do it to-night," he said. "Attend to it myself. I see your idea. You think this thing is the work of someone inside the studio."
"It may be, I don't know. But I mean to find out."
"All right. Anything else?"
"Yes. Tell me something about this new film you've just gotten out. 'An American Beauty,' I think it is called."
Mr. Baker's manner became enthusiastic.
"Greatest film Ruth Morton ever did," he exclaimed. "A knockout. It is to be shown at the Grand, on Broadway, to-morrow night. First time on the screen. You'd better look it over."
"I probably shall. Now, tell me this. If I wanted to add anything to that picture, put in an insert, I believe you call it, could I do so, if I told you about it to-morrow?"