And if we take into account what we don’t see, which is a negative fact, as well as what we do see, which is a positive fact, we shall discover that trade in general, or the aggregate of national industry, has no interest, one way or other, whether windows are broken or not.

Let us see, again, how the account stands with Jacques Bonhomme.

On the last hypothesis—that of the pane being broken—he spends six francs, and gets neither more nor less than he had before,—namely, the use and enjoyment of a pane of glass.

On the other hypothesis,—namely, that the accident had not happened, he would have expended six francs on shoes, and would have had the use and enjoyment both of the shoes and of the pane of glass.

Now, as the good burgess, Jacques Bonhomme constitutes a fraction of society at large, we are forced to conclude that society, taken in the aggregate, and after all accounts of labour and enjoyment have been squared, has lost the value of the pane which has been broken.

Whence, on generalizing, we arrive at this unexpected conclusion, that “Society loses the value of things uselessly destroyed;” and we arrive also at this aphorism, which will make the hair of the prohibitionists stand on end, that “to smash, break, [p025] and dissipate is not to encourage national industry;” or, more briefly, that “there is no profit in destruction.”

The reader will take notice that there are not two persons only, but three, in the little drama to which we have called his attention. One of them—namely, Jacques Bonhomme—represents the consumer, reduced by destruction to one enjoyment in place of two. The glazier represents the producer, whose trade is encouraged by the accident. The third is the shoemaker (or some other tradesman), whose trade is discouraged to the same extent by the same cause. It is this third personage who is always kept in the shade, and who, as representing what we don’t see, is a necessary element in the problem. It is he who enables us to discover how absurd it is to try to find profit in destruction. It is he who will soon teach us that it is not less absurd to try to discover profit in restriction, which is, after all, only partial destruction. Go to the bottom of all the arguments which are urged in favour of restriction, and you will find only a paraphrase of the vulgar saying,—“If no windows were broken, what would the glaziers do?

The distinction thus established between immediate effects and ultimate consequences, between surface appearances and substantial realities, between what we see and what we don’t see, the author proceeds, in the same happy vein, to apply to taxation, the proceeds of which are said to come back to the labour-market like refreshing showers,—to overgrown and unnecessary armaments, and extravagant public works, which are defended as affording employment to the working-classes,—to industrial and commercial restrictions, which are justified on the same ground,—to the questions of machinery, of credit, of colonization, of luxury and unproductive consumption, etc. The entire work does not extend to eighty pages, and in every one of its twelve short chapters Bastiat demolishes a specious fallacy or a pernicious error.

But Bastiat had been for some time meditating a greater, more elaborate, and more systematic work than any of those of which we have hitherto spoken; and it is curious to trace in his correspondence the progress of the ideas which were at length developed in the Harmonies Économiques. Writing to M. Coudroy in June 1845, he says—“If my little treatise of the Sophismes Économiques is successful, we may follow it up by another entitled Harmonies Sociales. It would be of the greatest utility; for it would meet the desires of an age in search of artificial harmonies and organizations, by demonstrating the beauty, order, and progressive principle of the natural and providential harmonies.” In June 1846, he writes to Mr Cobden, “I must bring out a second edition of my Sophismes, and I should wish much to write a little book to be entitled Harmonies Économiques. It will be the counterpart of the other—the first pulls down, the second will build up.” In another letter, written the year after, he exclaims—“Oh, that the Divine Goodness would give me yet one year of strength, and permit me to explain to my young fellow-citizens what I regard as the true social theory, under the twelve following heads:—Wants, production, property, competition, population, liberty, [p026] equality, responsibility, solidarity, fraternity, unity, province of public opinion. I should then without regret, with joy, resign my life into His hands!”

On the eve of being elected a Deputy to the National Assembly in 1848, he writes from Mugron, “Here I am in my solitude. Would that I could bury myself here for ever, and work out peacefully this Economic synthesis which I have in my head, and which will never leave it! For, unless there occur some sudden change in public opinion, I am about to be sent to Paris charged with the terrible mandate of a Representative of the People. If I had health and strength, I should accept this mission with enthusiasm. But what can my feeble voice, my sickly and nervous organization, accomplish in the midst of revolutionary tempests? How much wiser it had been to devote my last days to working out in silence the great problem of the social destinies, for something tells me I should have arrived at a solution! Poor village, humble home of my fathers, I am about to bid you an eternal adieu; and I quit you with the presentiment that my name and my life, lost amidst storms, will not have even that modest utility for which you had prepared me!” . . . .