A remarkable oversight on the part of "Phiz" with reference to this plate is immediately observable, for while Dickens explicitly states the number of Dr. Blimber's pupils as ten, the artist has introduced no less than seventeen young gentlemen. Concerning the illustration, "Major Bagstock is Delighted to have that Opportunity," there is extant an interesting letter (dated March 10, 1847) from Dickens to "Phiz" (printed for the first time in Mr. D. C. Thomson's Memoir of H. K. Browne), in which the novelist is very explicit respecting his requirements:—
"My Dear Browne— ... The occasion of my coming home makes me very late with my number, which I have only begun this morning; otherwise you should have been fed sooner.... The first subject I am now going to give is very important to the book. I should like to see your sketch of it if possible.
"I should premise that I want to make the Major, who is the incarnation of selfishness and small revenge, a kind of comic Mephistophilean power in the book; and the No. begins with the departure of Mr. Dombey and the Major on that trip for change of air and scene which is prepared for in the last Number. They go to Leamington, where you and I were once. In the Library the Major introduces Mr. Dombey to a certain lady, whom, as I wish to foreshadow dimly, said Dombey may come to marry in due season. She is about thirty, not a day more—handsome, though haughty-looking—good figure, well dressed, showy, and desirable. Quite a lady in appearance, with something of a proud indifference about her, suggestive of a spark of the Devil within. Was married young. Husband dead. Goes about with an old mother, who rouges, and who lives upon the reputation of a diamond necklace and her family. Wants a husband. Flies at none but high game, and couldn't marry anybody not rich. Mother affects cordiality and heart, and is the essence of sordid calculation. Mother usually shoved about in a Bath chair by a page who has rather outgrown and outshoved his strength, and who butts at it behind like a ram, while his mistress steers herself languidly by a handle in front. Nothing the matter with her to prevent her walking, only was once when a Beauty sketched reclining in a Barouche, and having outlived the Beauty and the Barouche too, still holds to the attitude as becoming her uncommonly. Mother is in this machine in the sketch. Daughter has a parasol.
"The Major presents them to Mr. Dombey, gloating within himself over what may come of it, and over the discomfiture of Miss Tox. Mr. Dombey (in deep mourning) bows solemnly. Daughter bends. The native in attendance bearing a camp-stool and the Major's greatcoat. Native evidently afraid of the Major and his thick cane. If you like it better, the scene may be in the street or in a green lane. But a great deal will come of it; and I want the Major to express that as much as possible in his apoplectic Mephistophilean observation of the scene, and in his share of it."
The design was promptly executed and submitted to Dickens, who, in a letter to the artist dated five days later, expressed his approval thereof: "The sketch is admirable," he wrote,—"the women quite perfect. I cannot tell you how much I like the younger one. There are one or two points, however, which I must ask you to alter. They are capital in themselves, and I speak solely for the story.
"First—I grieve to write it—that native—who is so prodigiously good as he is—must be in European costume. He may wear earrings and look outlandish and be dark brown. In this fashion must be of Moses, Mosesy. I don't mean Old Testament Moses, but him of the Minories.
"Secondly, if you can make the Major older, and with a larger face—do.
"That's all. Never mind the pump-room now, unless you have found the sketch, as we may have that another time. I shall 'propoge' to you a trip to Leamington together. We might go one day and return the next.... Don't mind sending me the second sketch. It is so late."[27]
In Mr. J. F. Dexter's collection there is a pencil-sketch by "Phiz" for this subject (evidently an earlier conception than that submitted to Dickens), in which the incident is depicted as occurring at the seaside (probably Brighton), while, curiously enough, the figure of Mr. Dombey is omitted. Another interesting drawing, also owned by Mr. Dexter, is a tentative sketch (in blue ink) for "The Dombey Family," under which the artist has written the following query: "Whether 'twere better to have him [Mr. Dombey] standing thus, stiff as a poker, with a kind of side glance at his daughter—or sitting, as in the other?" In the etching we see that Mr. Dombey is represented as seated, while Florence is transferred to the other side of the picture.
Through the kind courtesy of Her Grace the Duchess of St. Albans, I have been enabled to examine the original "working" drawings for "Dombey and Son," all of these, with one exception (viz. "Polly Rescues the Charitable Grinder," which has mysteriously disappeared), being in the possession of her Grace. The majority of the designs were not reversed when copied upon the steels, and this accounts for some of the incongruities already referred to. In certain cases the drawings are sketched with blue ink and the effects lightly washed in; others are in pencil, or pencil and brushwork combined.
Plate XXXVI
DOLLY VARDEN
Facsimile of an Original Drawing by H. K. BROWNE ("Phiz")
This Drawing, which was designed for the series of extra plates for "Barnaby Rudge," has never been engraved. The published portrait of Dolly is a reproduction of a subsequent Drawing.
Lent by Mr. J. F. Dexter.
In comparing the drawings with the plates, certain unimportant variations are discoverable; for example, in the drawing of "Paul's Exercises," the candlestick is placed on the table, and more to the right, instead of being raised on a pile of books; in "Major Bagstock is Delighted to have that Opportunity," the figure of the "Native" is differently posed, besides being almost erased, in consequence, perhaps, of Dickens's criticism; in "Coming Home from Church," the ringers hold two bells in either hand. On one of the drawings Dickens has placed his initials, while in the corner of another, "Secret Intelligence," the artist has written the words, "Better, eh?" whence we may infer that a previous sketch had been submitted. It seems likely that "Phiz" made two or three trial sketches for every etching in the book, as there are still in existence other tentative designs for some of the subjects above referred to.