"Will you turn your attention to a frontispiece for our first volume, to come upon the left-hand side of the book as you open it, and to face a plain printed title? My idea is, some scene from 'The Curiosity Shop,' in a pretty border, or scroll-work, or architectural device; it matters not what, so that it be pretty. The scene even might be a fanciful thing, partaking of the character of the story, but not reproducing any particular passage in it, if you thought that better for the effect.
"I ask you to think of this, because, although the volume is not published until the end of September, there is no time to lose. We wish to have it engraved with great care and worked very skilfully; and this cannot be done unless we get it on the stocks soon. They will give you every opportunity of correction, alteration, revision, and all other -ations and -isions connected with the fine arts."
In this design will be found Cattermole's only representations of Mr. Pickwick and the two Wellers. In the following letter (dated December 21 [1840]), some hints were given as to the treatment of one of the most charming illustrations in the series, viz., the picturesque parsonage-house which was the temporary home of Little Nell and her Grandfather. The lanthorn here referred to is not only omitted from the drawing, but we fail to find it mentioned in the text:—
"Kit, the single gentleman, and Mr. Garland go down to the place where the child is, and arrive there at night. There has been a fall of snow. Kit, leaving them behind, runs to the old house, and, with a lanthorn in one hand and the bird in its cage in the other, stops for a moment at a little distance with a natural hesitation before he goes up to make his presence known. In a window—supposed to be that of the child's little room—a light is burning, and in that room the child (unknown, of course, to her visitors, who are full of hope) lies dead.
"If you have any difficulty about Kit, never mind about putting him in...."
The next letter contained useful suggestions for the delineation of the most pathetic scenes in "The Old Curiosity Shop."
(1.) "The child lying dead in the little sleeping-room, which is behind the open screen. It is winter-time, so there are no flowers; but upon her breast and pillow, and about her bed, there may be strips of holly and berries, and such free green things. Window overgrown with ivy. The little boy who had that talk with her about angels may be by the bedside, if you like it so; but I think it will be quieter and more peaceful if she is quite alone. I want it to express the most beautiful repose and tranquillity, and to have something of a happy look, if death can.
(2.) The child has been buried inside the church, and the old man, who cannot be made to understand that she is dead, repairs to the grave and sits there all day long, waiting for her arrival, to begin another journey. His staff and knapsack, her little bonnet and basket, &c., lie beside him. 'She'll come to-morrow,' he says when it gets dark, and goes sorrowfully home. I think an hour-glass running out would help the notion; perhaps her little things upon his knee or in his hand.
"I am breaking my heart over this story, and cannot bear to finish it."
Plate XL