Frank Stone exhibited at the Society of Painters in Water-Colours from 1833 to 1846, and was elected a member of that Society in 1842. He first exhibited at the Royal Academy in 1838, his election as an Associate taking place in 1851. The artist, on receiving a commission from Dickens for a picture, painted a presentment of "'Tilda Price," the fiancée of the genial John Browdie in "Nicholas Nickleby," the picture realising the sum of £42 at the sale of the novelist's effects in 1870. This and two other paintings by Stone (portraits of Kate Nickleby and Madeline Bray) were engraved on steel by Finden, and published ("with the approbation of Charles Dickens") by Chapman & Hall in 1848; the plates were intended for insertion in the first cheap edition of "Nicholas Nickleby." Besides his illustrations for "The Haunted Man," he also designed the frontispiece for the first cheap edition of "Martin Chuzzlewit" (1849), which depicts Mark Tapley on the sick-bed; this drawing was engraved on wood by T. Bolton.

The sudden death of Frank Stone in 1859 caused Dickens heartfelt sorrow. "You will be grieved," he wrote to Forster on November 19, "to hear of poor Stone. On Sunday he was not well. On Monday went to Dr. Todd, who told him he had aneurism of the heart. On Tuesday went to Dr. Walsh, who told him he hadn't. On Wednesday I met him in a cab in the Square here [Tavistock Square], and he got out to talk to me. I walked about with him a little while at a snail's pace, cheering him up; but when I came home, I told them that I thought him much changed, and in danger. Yesterday at two o'clock he died of spasm of the heart. I am going up to Highgate to look for a grave for him."


SIR EDWIN LANDSEER, R.A.

First Acquaintance with Dickens—Designs an Illustration for "The Cricket on the Hearth"—Elected a Royal Academician—Receives the Honour of Knighthood—Declines the Presidency of the Royal Academy—Severe Illness and Death.

Charles Dickens first became acquainted with Sir Edwin Henry Landseer during the "Nickleby" period, and ever entertained the highest admiration and personal regard for this famous artist, to whom Thackeray once referred as "a sort of aristocrat among painters." Sir Edwin was an artist by hereditary right and family instinct, being the eldest son of the well-known engraver, John Landseer, A.R.A. He was born in London in 1802, and at the age of thirteen exhibited two pictures at the Royal Academy, thus proving that he possessed most exceptional powers as a draughtsman even at this early period.


The Cricket on the Hearth, 1846.It is perhaps not generally remembered that Sir Edwin Landseer has a just claim to be numbered among the Illustrators of Dickens. Though he made but a single design, it is indubitably a masterpiece, and suffices to indicate the admirable skill acquired by this great painter in depicting what may be considered his favourite subject—the dog. The charming little woodcut of "Boxer"—the irrepressible companion of John Peerybingle, in "The Cricket on the Hearth"—defies criticism.

Plate LIII