“The Gazette du Midi has already made known to the Gazette de France the arrival in Paris of young Mistral, the poet of Provence. Who is this Mistral? No one knows anything of him. When I am asked, I answer fearing my words should find no credence, so surprising will be my statements at a time when the prevalence of imitation poetry makes one believe that all true poetry and poets are dead. In ten years’ time the Academy will, when all the world has already done so, recognise another glory to French literature. The clock of the Institute is often an hour behind the century, but I wish to be the first to discover one who may be truly called the Virgil of Provence, and who, like the shepherd of Mantua, sings to his countrymen songs worthy of Gallus and of Scipio. Many have long desired for our beautiful country of the south, Roman both in speech and religion, the poem which shall express in her own tongue the sacred beliefs and pure customs of our land. I have the poem in my hands, it consists of twelve songs. It is signed Frédéric Mistral, of the village of Maillane, and I countersign it with my word of honour, which I have never given falsely, and with the full weight of my responsibility.”

This letter was received with jeers by certain papers. “The mistral is incarnated, it appears, in a poem. We shall see if it will be anything except wind.”

But Dumas, content with the effect of the bomb, said, clasping my hand:

“Now, my dear fellow, return to Avignon and get your Mireille printed. We have thrown down the glove, now let the critics talk. They must each one have their say in turn.”

Before I left Paris my devoted compatriot wished to present me to Lamartine, his friend, and this is how the great man recounts the visit in his “Cours familier de Littérature” (quarantième entretien, 1859):

“As the sun was setting, Adolphe Dumas entered my room, followed by a fine, modest-looking young man, dressed with a sober elegance which recalled the lover of Laura, when he brushed his black tunic and combed his smooth hair in the city of Avignon. It was Frédéric Mistral, the young village poet, destined to become in Provence, what Burns the ploughman was in Scotland, the Homer of his native land.

“His expression was straightforward, modest and gentle, with nothing in it of that proud tension of the features or of that vacancy of the eye which too often characterises those men of vanity rather than genius, styled popular poets. He had the comeliness of sincerity, he pleased, he interested, he touched; one recognised in his masculine beauty the son of one of those beautiful Arlesiennes, living statues of Greece, who still move in our south.

“Mistral sat down without ceremony at my dinner-table in Paris, according to the laws of ancient hospitality, as I would have seated myself at the farm table of his mother at Maillane. The dinner was quiet, the conversation intimate and frank. The evening passed quickly and pleasantly in my little garden about the size of the kerchief of Mireille, to the song of blackbirds in the fresh cool night air.

“The young man recited some verses in the sweet nervous idiom of Provence, which combines the Latin pronunciation with the grace of Attica and the serenity of Tuscany. My knowledge of the Latin dialects, which I spoke up to the age of twelve in the mountains of my country, made these fine idioms intelligible to me. The verses of Mistral were liquid and melodious, they pleased without intoxicating me. The genius of the young man was not there, the medium was too restricted for his soul; he needed, as did Jasmin, that other singer of indigenous growth, his epic poem in which to spread his wings. He returned to his village, there at his mother’s hearth and beside the flocks to find his last inspirations. On taking leave, he promised to send me the first printed copy of his Mireille.”

After this memorable occasion I paid my farewell respects to Lamartine. He lived at that time on the ground floor in the Rue de la Ville-l’Evêque. It was evening. Burdened with his debts and somewhat forsaken, the great man drowsed on a sofa, smoking a cigar, while some visitors spoke in low voices around him.