He always had his flute on the table beside him.
“Those idiots gave me a bell to ring; but I made them fetch my flute, which answers far better. If I want anything I just play an air instead of calling or ringing.”
And so it happened that he died with his flute in his hand, and they placed it with him in his coffin. This gave rise to the story started by the girls of the silk-mill at Maillane, that as the clock struck twelve, old Bénoni, flute in hand, rose from
Arlesiennes at Maillane.
his grave and began playing a veritable devil’s dance, whereupon all the other corpses also arose carrying their coffins, and there in the middle of the “Grand Clos,” having set fire to the coffins in order to warm themselves, they proceeded to perform a mad jig round the fire till daybreak, to the sound of Bénoni’s flute.
Having now introduced Uncle Bénoni, I must return to my journey with him. Accompanied by my mother and my three aunts, we all set out for Avignon. The whole way, as we jogged along, we discussed the state of the crops, the plantations, the vineyards that we passed. I was told, one after the other, all the traditional tales that marked the road to Avignon; for example, how, at the bridge of “La Folie,” the wizards formerly held their wild dances, and how at La Croisière the highwaymen would stop the traveller with; “Your money or your life”; this was liable to occur also at the Croix de la Lieue and the Rocher d’Aiguille.
At last we arrived at the sandy bed of the Durance. A year before the flood had swept away the bridge, and it was necessary to cross the river by a ferry-boat. We found some hundred carts there awaiting their turn to go over. We waited with the rest for about two hours, and then embarked, after chasing home “Le Juif,” the big dog, who had followed us so far.
It was past twelve o’clock when we finally reached Avignon. We stabled our horses, like all those from our village, at the Hôtel de Provence, a little inn on the Place du Corps-Saint, and for the rest of the day we roamed about the town.