"She does."
"Then why do you kill the man she loves?"
"Because I do not want to think he is alive."
The wide vacancy of the scout's blue eyes, together with the low deliberation in his peaceful voice, was somewhat appalling to Harding. He never had thought of a murderer in this guise, and he labored with himself to believe it was only a love-sickness of rather alarming intenseness; but there was something about the young man which gave this idea pause. His desperation in battle, his Indian bringing-up, made it all extremely possible, and he searched in vain for any restraining forces. So for a long time they sat by the dead elk, and Harding sorted and picked out all the possible reasons he could conjure as to why Ermine should not kill Butler, until it began to dawn upon him that he was not replying to his arguments at all, but simply reiterating his own intentions despite them. He then recalled cases in England where fists had been the arguments under a rude lover's code; only out here the argument was more vital, more insistent, and the final effect left the lady but one choice should she care to interest herself in the affair.
Resuming his talk, Harding suggested that his guide go to his own friends, who might advise him more potently than he was able, and ended by asking pointedly, "You have friends, I presume?"
"I have one friend," answered the youth, sullenly.
"Who is he?"
"Crooked-Bear," came the reply.
"Crooked-Bear is your friend; then you must listen to him; what he advises will probably be the thing to do."