The line starts at the east, and again it is repeated for emphasis. The chapel is shown at first, clear of the east wall, but there is a subsequent loss of position which brings the little chapels beyond their prescribed limit and makes the plan appear confused. Below is written "Capella St. Edgar, Abbas Beere fecit hanc capellam" (Chapel of Saint Edgar, Abbot Beere built this chapel).
F.B.B. "Please give length again."
A. "30 virgas ... et fenestrae (cum) lapide horizontali quod vocatur transome et vitrea azurea; et fecit altarium ornat(um) cum auro et argento et ... et tumba ante altarium gloriosa aedificavit ad memoriam Sanct ... Edgar...."
F.B.B. "Which Abbot did this?"
A. "Ricar(d)us Whitting.... Ego Johannes Bryant monachus et lapidator."
This concluded the sitting.
SITTING II. 11th November, 1907, 1 p.m.
"The material influences were at fault when last ... I think active influences were overpowering my will. Those monks were anxious to communicate.... They want you to know about the Abbey. They say the times are now ripe for the glory to return and the curse is departing. I do not know about these things. They have been wishing to influence you for a long time, and they have been (endeavouring to?) reproduce things in your minds."
Here the influence changes.
"Benedicite. Go unto Glaston soon. Gloria reddenda antiqua. Laus Deo in saecula seculorum. Nubes evaserunt ... memoria rerum manet et red ... Ecclesia catholica extensit et comprehensit latera (sic,? latentia) vera et res occultas sapientibus.
"JOHANNES."
SITTING III. 13th November, 1907.
Writing commenced without any direction by sitters.