Description of Plan F.
III. a, Two sketches of the lions. They are sitting lions, holding shields, as we see them in many Tudor buildings, but the ornament is more customary in domestic work than in ecclesiastical.
III. b, More parapets, this time partly of a Florentine pattern. Whether these are meant for a more detailed study of the undulations previously shown, or are some in a special position, does not yet appear. The little "angels" seem to be connected with them.
III. c, Probably meant for one of the heads of the side-windows in the Chapel. There is clearly a semicircle at head, and there appears some sort of filling like open scroll-work. No English precedent of this date is known to the writer.
Description of Plan G.
III. d, Another sketch of the "Cava," with the description of the treatment of its recess: "Golden stars on azure, at the back of the Virgin's Hollow"; and it proceeds: "Ad orientem, in cava Virginis Mari(a)e Lorettae quod ... ad ecclesiam ... via claustra ad ecclm ... ad orientem ... ad ecclesiam" (To the east, a covered way, or cloister, leading to the church).
III. e, Again a plan of the east end of the Chapel, with the door marked "portus," and a line going east.
III. f, The "via claustra" shown from the Chapel to the "ecclesia."