[4] See paper by James Parker, M.A., in 1880 volume of Som. Arch. Proc., p. 101, where he says, speaking of the Edgar Chapel: "The question is, What did Leland mean by the 'est end of the chirch'? Does he mean the choir? Of course, I cannot say that he does not. But there are two considerations. The first is the view preserved by Stukely, taken by his friend Mr. Strachey before the Abbot's House was pulled down, and, as I understand it, some few years before 1723. In this a larger portion of the second chapel in the south transept remains than now, and it is lettered 'Edgar Chapel.' He seems to have obtained his name from hearsay, and possibly no importance ought to be attached to the tradition by itself. The other consideration seems to me more worthy of attention, and may perhaps support the tradition, where it is said in the next paragraph which Leland gives in reference to Abbot Bere, that he 'arched' on both sides, the east part of the church."
Parker proceeds to argue that this arching probably refers to the east end of the nave, not of the choir, and that if so, then Edgar's Chapel belongs to the same work, and would thus be connected with the transept also. "And there," says Parker, "it is placed in the only engraving which gives the name." "On the whole," he concludes, "I think it must be left an open question as to what Abbot Bere built; at least, that the evidence is not sufficient to justify putting Edgar's Chapel at the east end of the choir."
[6] See flyleaf.
[7] At a later date the excavations revealed a small chantry adjoining the south side, as at Gloucester Cathedral (Lady Chapel). This extends the width to 48 or 49 feet. If a similar chantry were appended to the north side (again following Gloucester) the extreme width might be close on 60 feet ("viginti virgas"). But of this nothing is known. Colonel Long's MS. plan, found in 1910, gives the 49 feet width.
[8] For "quomodo."
[9] The ancient "Book of Melchin" (now lost), quoted by John of Glaston, says of Joseph of Arimathea: "Amongst them Joseph of Marmore, named of Arimathea, receives perpetual sleep; and he lies in linea bifurcata near the south corner of the Oratory which is built of hurdles." "Linea," according to Ducange, means "an under-garment," and "bifurcata" would denote one slit at the sides like a shirt or dalmatic. But our script seems to suggest rather "a fork in the paths" as the place where Joseph lay.
[10] For mediæval use of the masculine form "portus" for "porta" see Lobinell, Hist. Brit., ii. 872. "Ante suum introitum fecit idem novus dux primum juramentum in introitu variere portus illius urbis vocati vulgariter Portus de Morzellos." Also in O.E. (Anglo-Saxon Psalter) "on portum" = "in porta."
[11] A doubtful measure (see pp. [27] and [63]). The writing was very weak and unsatisfactory, as though the force were waning.
[12] "Quinquaginta" is sheer nonsense, and moreover inconsistent with the measure already given. The writing was getting weaker and the difficulty increasing, and it seemed that the sitting had probably been unduly lengthened, to the physical exhaustion of the sitters.