"Wherefore let him that speaketh in an unknown tongue pray that he may interpret.
"For if I pray in an unknown tongue, my spirit prayeth, but my understanding is unfruitful.
"What is it then? I will pray with the spirit and I will pray with the understanding also."
I Cor. xiv. 12-15.
CONTENTS
| PART | PAGE | |
| I. | THE LOST CHAPEL | [1] |
| (a) Introductory | [3] | |
| (b) Documentary | [6] | |
| (c) Psychological Methods applied to Research | [17] | |
| (d) On Automatism | [22] | |
| (e) Notes on the Automatic Script | [26] | |
| (f) Narrative of the Writings | [32] | |
| (g) Table of Veridical Passages | [70] | |
| (h) Testimonies | [79] | |
| II. | THE CHILD OF NATURE | [83] |
| (a) Johannes goes a-fishing | [86] | |
| (b) The Vat of Good Ale | [89] | |
| (c) Memories of His House | [93] | |
| (d) The Burden of the Flesh | [96] | |
| (e) The Gargoyle | [98] | |
| (f) Story of Eawulf | [105] | |
| III. | THE LORETTO CHAPEL | [109] |
| (a) Documentary | [111] | |
| (b) Story of Bere's Vow (1911 Script) | [119] | |
| (c) Camillus Thesiger speaks (1916 Script) | [125] | |
| (d) Architectural Details Descriptive of the Italian Chapel | [128] | |
| (e) Review | [142] | |
| (f) The 1917 Script | [144] | |
| (g) Reconstructions | [151] | |
| (h) Conclusion | [155] | |
| (i) Appendix: Table of Data and Constructive Argument | [160] | |
| IV. | INDEX AND SYNOPSIS | [169] |
LIST OF ILLUSTRATIONS
| PLATE | PAGE | ||
| [ I]. | Ruins of Glastonbury Abbey viewed from North Transept, looking towards the Broken Arch of Quire. (F.B.B.) | frontispiece | |
| [II]. | Foundations of the Edgar Chapel, as Restored (from West) | to face | 56 |
| [III]. | Reconstruction of the Interior of Bere's Time (Early Sixteenth Century) from the Same Point as Plate I. (F.B.B.) (frontispiece to Part II.) | to face | 84 |
| [IV]. | Coney's View of the Abbey (1817) (frontispiece to Part III.) | to face | 111 |
| [V]. | Reconstruction of the North Transept with Loretto Chapel and Claustrum (from a Pencil Drawing by F.B.B.) | to face | 154 |
| —— | |||
| FIG. | |||
| 1. | Phelps's Plan | [5] | |
| 2. | Willis's Plan | [9] | |
| 3. | Archæological Institute's Plan of Retro-Quire | ||
| 4. | Plan of Gulielmus | [34] | |
| 5. | Second Plan, showing Edgar Chapel | [36] | |
| 6. | Plan of Apsidal Chapel, published before Discovery | [61] | |
| 7. | Plan of Apsidal Chapel after Excavation was completed | [64] | |
| 8. | Sketch Elevation of North Side of Edgar Chapel and Monington's Quire | [81] | |
| 9. | Abbot's Head (a Gargoyle in Profile) | [99] | |
| 10. | Stukeley's Panorama of the Ruins in 1723 | [115] | |
| 11. | Hollar's View, c. 1655 (Enlarged) | [116] | |
| 12. | Cannon's Sketch of the Ruins, c. 1746 | [117] | |
| Plans A to I: Nine Sheets of Details of the Loretto Chapel, being Facsimiles of those appearing in the Automatic Script | pages [129]-142 | ||
| 13. | General Plan of the Abbey laid out on Squares of 74 Feet (1912) | [148]a | |
| 14. | Geometric Plan of St. Mary's Chapel | [150] | |
| 15. | Tentative Plan of the Loretto Chapel, etc. | [152] | |
| 16. | Complete Plan of All Chief Features mentioned in the Work | [153] | |