A Chronicle History of the Life and Work of William Shakespeare / Player, Poet, and Playmaker

by Frederick Gard Fleay

On May 26th Susanna their daughter was baptized. It is assumed that a precontract existed between the parents which, according to the custom of the time, "was not legally recognised, but it invalidated a subsequent union of either of the parties with any one else" (Halliwell, Outlines, p. 45). The reader must form his own opinion. Taking into consideration the low morality of the time in such matters, the fact that Anne Hathaway was twenty-six, and Shakespeare eighteen in 1582, the practice still not unknown in rural districts of cohabitation under conditional promise of marriage, should the probable birth of a child make it necessary or prudent, the fact that from 1587 to 1597 we have no evidence that Shakespeare even saw his wife, and the palpable indications in the Sonnets that during this interval he was intriguing with another woman—for my own part I cannot help adopting De Quincey's view that he was entrapped into some such conditional promise by this lady and kept his promise honourably. Compare on the precontract question the plays of The Miseries of Enforced Marriage by Wilkins, which is founded on the contemporary history of the same Calverley who is the murderer in The Yorkshire Tragedy, with Shakespeare's own views in 1604 in Measure for Measure; his opinions in Twelfth Night, ii. 4 (early part, c. 1592), and Midsummer Night's Dream, i. 1, on wives that are older than their husbands: and, by way of showing that his plays do discover sometimes his personal feelings, Valentine's resignation of Silvia in The Two Gentlemen of Verona, with the story involved in the Sonnets of Shakespeare's own transfer of his illicit love.

1585.

February 2. Hamnet and Judith, Shakspeare's twin children, were baptized at Stratford-on-Avon. By April 26th he had certainly attained his majority, and his apprenticeship had probably expired.

1585-7.

Three or four years after his union with Anne Hathaway, he had, says Rowe, "by a misfortune common enough to young fellows, fallen into ill company, and, amongst them, some, that made a frequent practice of deer stealing, engaged him with them more than once in robbing a park, that belonged to Sir Thomas Lucy of Charlecote, near Stratford; for this he was prosecuted by that gentleman, as he thought, somewhat too severely, and in order to revenge that ill usage made a ballad upon him, and though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter that it redoubled the prosecution against him to that degree that he was obliged to leave his business and family in Warwickshire for some time, and shelter himself in London." Whether this tradition be well founded or no, we are compelled by subsequent events to place the date of Shakespeare's leaving Stratford in or about 1587; and whether there be any truth in the story traced to Davenant or not, that he held horses at the play-house door, while their owners were witnessing performances inside, it is certain that he was very soon connected with the stage, first as actor, then as dramatic writer. It becomes therefore of importance to ascertain if possible the specific company with which he originally joined.

In the latter part of 1585 there were two regular theatres existing in London, the Theater and the Curtain. It clearly appears from a report by Recorder Fleetwood preserved in the Lansdown MSS. that at Whitsuntide 1584 these were occupied by the Queen's players and those of Lord Arundel. It is not clear that a third company, that of Lord Hunsdon, acted at the Theater: although Mr. J. O. H. Phillipps (whom I most usually refer to under his former and better known name of Halliwell) assures us that it is so. It is true that the "owner of the Theater," whom he takes to be a temporary occupier of that building, but whom I regard as the ground landlord, Giles Alleyn, is called a servant of Lord Hunsdon's, and that a company of actors, called Lord Hunsdon's men, acted at Court 27th December 1582; but it does not follow that these men were occupiers of the Theater. In fact the only companies anyhow known to us as in London in 1585 are the two already mentioned. It is by no means likely à priori, nor would it agree with the passages hereafter to be referred to in the writings of Greene and Nash, that Shakespeare should immediately on his appearance in London obtain employment in either. But there was a third company not noticed in Collier's Annals of the Stage, into which he may easily have obtained admittance. When the Queen's company was formed in 8th March 1582-3, by the selection of twelve players from the companies of the two Dudleys, Earls of Leicester and Warwick, there must have been sufficient men left unemployed to form another company. These were probably still retained by the Earl of Leicester: for in a letter from Sir Philip Sidney, dated Utrecht, 24th March 1575-6, mention is made of "Will, the Earl of Leicester's jesting player," who had gone with the Earl to the Netherlands in December 1575. Thomas Heywood, in his Apology for Actors, 1612, tells us that "The King of Denmark, father to him that now reigneth, entertained into his service a company of English comedians, commended unto him by the honourable Earl of Leicester." This King of Denmark, Frederick II., died in 1588, and the exact date of the transaction is fixed by documents dated October 1586, in which we find that five of these actors had been transferred from the service of Frederick II. of Denmark to that of Christian I., Duke of Saxony. I am far from wishing to adopt the conjecture of Mr. Bruce that "jesting Will" was Shakespeare; but when among the names of these five actors—Thomas King, Thomas Stephen, George Bryan, Thomas Pope, Robert Persie—we find two, Pope and Bryan, that are identical with those of two actors in the very first list extant of the first company with which we can positively connect Shakespeare as an actor; when we find this same company acting at Stratford in 1587, at the very time that Shakespeare's disappearance from all known connection with that town for nine years commences; when we find among a list of plays that had been acted by the English in Germany Hester and Ahasuerus, Titus Andronicus [and Vespasian], both of which we shall trace to Shakespeare's company; when we also find a version of the Corambis Hamlet existing early in the same country—then I think we are justified in saying that there is great likelihood of this company having been the one in which Shakespeare found his first employment. If so, he accompanied it in all its fortunes, and never (as we shall see) forsook it for another.

1586.

Meanwhile in London the plague had prevailed to such an extent that the theatres were shut up during 1586. It was not then during this year that Shakespeare held horses at stage-doors, or obtained employment in London theatres. But at the end of the year Lord Leicester's players returned to England, and in January 1586-87 are mentioned together with the Queen's, the Admiral's, and the Earl of Oxford's, in a letter to Walsingham from a spy of his, which is preserved in the Harleian MSS.

1587.

This same company, the Earl of Leicester's men, visited Stratford-on-Avon in 1587. I have not been able to trace their previous presence there since 1576, although other companies paid frequent visits to this town. It is singular that in this year, the only one in which this company visited Stratford during the twelve years intervening between the birth and death of Hamnet Shakespeare, we find also the only record of the poet's presence in the place of his nativity. I give this in the words of Mr. Halliwell. "In 1578 his parents had borrowed the sum of £40 on the security of his mother's estate of Asbies, from their connexion, Edmund Lambert of Barton-on-the-Heath. The loan remaining unpaid, and the mortgage dying in March 1587, his son and heir John was naturally desirous of having the matter settled. John Shakespeare being at that time in prison for debt, and obviously unable to furnish the money, it was arranged shortly afterwards that Lambert should, on cancelling the mortgage and paying also the sum of £20, receive from the Shakespeares an absolute title to the estate. His offer would perhaps not have been made had it not been ascertained that the eldest son William had a contingent interest, derived no doubt from a settlement, and that his assent was essential to the security of a conveyance. The proposed arrangement was not completed, but" the poet's sanction to it is recorded. I believe that immediately after this, in 1587, Shakespeare left Stratford either with or in order to join Lord Leicester's company.