FREDERICK J. CROWEST.

24 Ampthill Square, London, N.W.


[CONTENTS.]

Page
Preliminary Remarks[9]
On Habits, Diet, &c.[13]
Early Rising—Cleanliness—The Hair—The Teeth—Exercise—Dress—Diet—Smoking—Late Hours—General Morality.
Pronunciation and Study of Words[21]
Nervousness—Pronunciation—Vowel-Sounds—Consonants—English—Emphasis—Position of Lips—Study of "Words"—General Education—Dramatic Study.
Voices and their Various Qualities[28]
Voices and their Names—Compass—Soprano—Mezzo-Soprano—Mezzo-Contralto—Contralto—Alto—Tenore-Leggiero—Tenore-Robusto—Barytone and Basso-Cantante—Bass—Buffo—Qualities of Voices.
Instruction, Books and Masters[47]
Schools of Singing—Masters—Institutions—A First Opinion—Bad Lessons—Bad Teachers—Books of Exercises.
Practice[53]
Individuality—Perseverance—Facial Expression—Self-Accompaniment—Position of Body, Arms, Hands, Throat, Tongue, Larynx—Head-Singing—Throatiness—Clearing the Throat—High Notes—The Scale—Forte, Mezzo-Voce, and Piano—Tone—Chest, Falsetto, and Head—Scale Practice—First Exercises (with Examples)—Duration of Practice—Singing in Tune—How to Begin—Variety—Chorus Singing—Humming—Studying Songs—Imitation—General Musical Study.

On Style and Expression[71]
Traditional Styles—Modern German Lieder—"The Cathedral School"—Oratorio (with Examples)—Opera—Ballads—Recitative (with Examples)—Slurring—Sentiment—Decision—Imitation—Public Singing—"Holding" an Audience—Mistakes in Public.
On Time in Singing[87]
The Metronome—Accent—Exercises: four beats to the bar; three beats to the bar; two beats to the bar.
On the Choice of Music[103]
Music to Suit the Voice—"Original Keys"—Execution—Fashion—Forming a "Repertoire."
Physiological Surroundings[109]
The Larynx—The Thyroid—The Pharynx—The Voice; A Wind, Reed, or String Instrument.
Exercises[115]
Exercises 1, 2, for Uniting Notes—Exercise 3, for Flexibility, &c.—Exercise 4, on Intervals of Thirds—Exercise 5, on Intervals of Fourths—Exercise 6, on Intervals of Fifths—Exercise 7, on Intervals of Sixths—Exercise 8, on Intervals of Sevenths.
Index[126]
Transcriber's Note[129]