EARLY XVII. CENTURY.
LIST OF ILLUSTRATIONS.
| CHAPTER I. | ||
|---|---|---|
| COLORED FRONTISPIECE facing | Title | |
| PAGE | ||
| "GRANDFATHER" CLOCK | iv. | |
| A SEVENTEENTH CENTURY NAPKIN PRESS | xii. | |
| VIGNETTE OF BAS-RELIEF—EGYPTIAN SEATED, as Ornament to Initial Letter | [1] | |
| ASSYRIAN BRONZE THRONE AND FOOTSTOOL | [3] | |
| CHAIRS FROM KHORSABAD AND XANTHUS AND ASSYRIAN THRONE | [4] | |
| REPOSE OF KING ASSHURBANIPAL | [5] | |
| EXAMPLES OF EGYPTIAN FURNITURE IN THE BRITISH MUSEUM: Stool; Stand for a Vase; Head Rest or Pillow; Workman's Stool; Vase on a Stand; Folding Stool; Ebony Seat inlaid with ivory | [6] | |
| AN EGYPTIAN OF HIGH RANK SEATED facing | [6] | |
| AN EGYPTIAN BANQUET | [7] | |
| CHAIR WITH CAPTIVES AS SUPPORTS | [8] | |
| BACCHUS AND ATTENDANTS VISITING ICARUS facing | [8] | |
| GREEK BEDSTEAD WITH A TABLE | [9] | |
| GREEK FURNITURE | [10] | |
| INTERIOR OF AN ANCIENT ROMAN HOUSE facing | [12] | |
| A ROMAN STUDY | [13] | |
| ROMAN SCAMNUM OR BENCH | } | [14] |
| ROMAN BISELLIUM, OR SEAT FOR TWO PERSONS | ||
| ROMAN COUCH, GENERALLY OF BRONZE | [15] | |
| BRONZE LAMP AND STAND | [16] | |
| ROMAN TRICLINIUM, OR DINING ROOM facing | [16] | |
| CHAPTER II. | ||
| VIGNETTE OF GOTHIC OAK ARMOIRE, as Ornament to Initial Letter | [17] | |
| CHAIR OF ST. PETER, ROME | [19] | |
| DAGOBERT CHAIR | [21] | |
| A CARVED NORWEGIAN DOORWAY facing | [22] | |
| SCANDINAVIAN CHAIR | [23] | |
| COVER OF A CASKET CARVED IN WHALEBONE | [24] | |
| SAXON HOUSE (IX. CENTURY) | [25] | |
| ANGLO-SAXON FURNITURE OF ABOUT THE X. CENTURY | [27] | |
| THE SEAT ON THE DAIS | } | [28] |
| SAXON STATE BED | ||
| ENGLISH FOLDING CHAIR (XIV. CENTURY) | } | [29] |
| CRADLE OF HENRY V. | ||
| CORONATION CHAIR, WESTMINSTER ABBEY | [31] | |
| CHAIR IN YORK MINSTER | [32] | |
| TWO CHAIRS OF THE XV. CENTURY facing | [32] | |
| TABLE AT PENSHURST | [33] | |
| BEDROOM (XIV. CENTURY) | [34] | |
| CARVED OAK BEDSTEAD AND CHAIR | [35] | |
| INTERIOR OF A BEDROOM—"THE NEW BORN INFANT" | [37] | |
| PORTRAIT OF CHRISTINE DE PISAN | [38] | |
| STATE BANQUET, WITH ATTENDANT MUSICIANS (two woodcuts) | [39] | |
| A HIGH BACKED CHAIR (XV. CENTURY) | [40] | |
| MEDIÆVAL BED AND BEDROOM facing | [40] | |
| A SCRIBE OR COPYIST | [41] | |
| TWO GERMAN CHAIRS | [42] | |
| CARVED OAK BUFFET (French Gothic) | [43] | |
| OLD ENGLISH OAK BUFFET | [44] | |
| FLEMISH BUFFET facing | [44] | |
| A TAPESTRIED ROOM | } | [45] |
| A CARVED OAK SEAT | ||
| INTERIOR OF APOTHECARY'S SHOP | [46] | |
| DWELLING ROOM OF A FRENCH CHATEAU following | [46] | |
| COURT OF THE LADIES OF QUEEN ANNE OF BRITTANY | [46] | |
| CHAPTER III. | ||
| VIGNETTE OF THE CARYATIDES CABINETS, as Ornament to Initial Letter | [47] | |
| REPRODUCTION OF DECORATION BY RAFFAELLE following | [48] | |
| SALON OF M. BONAFFÉ " | [48] | |
| A SIXTEENTH CENTURY ROOM " | [48] | |
| CHAIR IN CARVED WALNUT | [49] | |
| VENETIAN CENTRE TABLE | [50] | |
| MARRIAGE COFFER IN CARVED WALNUT following | [50] | |
| MARRIAGE COFFER " | [50] | |
| PAIR OF ITALIAN CARVED BELLOWS | [51] | |
| CARVED ITALIAN MIRROR FRAME, XVI. CENTURY | [52] | |
| A SIXTEENTH CENTURY COFFRE-FORT | [53] | |
| ITALIAN COFFER | [55] | |
| ITALIAN CHAIRS | [56] | |
| EBONY CABINET facing | [56] | |
| VENETIAN STATE CHAIR | [57] | |
| ORNAMENTAL PANELLING IN ST. VINCENT'S CHURCH, ROUEN following | [58] | |
| CHIMNEY PIECE (FONTAINEBLEAU) " | [58] | |
| CARVED OAK PANEL (1577) | [59] | |
| FAC SIMILES OF ENGRAVINGS ON WOOD | [60] | |
| CARVED OAK BEDSTEAD OF JEANNE D'ALBRET following | [60] | |
| CARVED OAK CABINET, XVI. CENTURY " | [60] | |
| CARVED OAK CABINET (LYONS) " | [60] | |
| LOUIS XIII. AND HIS COURT | [62] | |
| DECORATION OF A SALON IN LOUIS XIII. STYLE facing | [62] | |
| AN EBONY ARMOIRE (FLEMISH RENAISSANCE) | [64] | |
| A BARBER'S SHOP AND A FLEMISH WORKSHOP (XVI. CENTURY) | [65] | |
| A FLEMISH CITIZEN AT MEALS | [66] | |
| SEDAN CHAIR OF CHARLES V. | [67] | |
| SILVER TABLE (WINDSOR CASTLE) | [63] | |
| CHAIR OF WALNUT OR CHESTNUT WOOD, SPANISH, WITH EMBOSSED LEATHER following | } | [68] |
| WOODEN COFFER (XVI. CENTURY) following | ||
| THE STEEL CHAIR (LONGFORD CASTLE) facing | [70] | |
| GERMAN CARVED OAK BUFFET | [71] | |
| CARVED OAK CHEST | [72] | |
| CHAIR OF ANNA BOLEYN | [74] | |
| TUDOR CABINET | [75] | |
| THE GLASTONBURY CHAIR | [78] | |
| CARVED OAK ELIZABETHAN BEDSTEAD | [80] | |
| OAK WAINSCOTING facing | [80] | |
| DINING HALL IN THE CHARTERHOUSE | [82] | |
| SCREEN IN THE HALL OF GRAY'S INN facing | [82] | |
| HALL OF GRAY'S INN | [83] | |
| CARVED OAK PANELS (CARPENTERS' HALL) | [85] | |
| PART OF AN ELIZABETHAN STAIRCASE | [86] | |
| THE ENTRANCE HALL, HARDWICK HALL facing | [86] | |
| SHAKESPEARE'S CHAIR | [88] | |
| THE "GREAT BED OF WARE" facing | [88] | |
| THE "QUEEN'S ROOM," PENSHURST PLACE | [89] | |
| CARVED OAK CHIMNEY PIECE IN SPEKE HALL | [90] | |
| CHAPTER IV. | ||
| A CHAIR OF XVII. CENTURY, as Ornament to Initial Letter | [91] | |
| OAK CHIMNEY PIECE IN SIR W. RALEIGH'S HOUSE | [92] | |
| CHIMNEY PIECE IN BYFLEET HOUSE | [93] | |
| "THE KING'S CHAMBER," FORD CASTLE | [94] | |
| CENTRE TABLE (CARPENTERS' HALL) | [95] | |
| CARVED OAK CHAIRS | [96] | |
| OAK CHIMNEY PIECE FROM LIME STREET, CITY facing | [96] | |
| OAK SIDEBOARD | [97] | |
| SEATS AT KNOLE | [99] | |
| ARM CHAIR, KNOLE | [100] | |
| THE "SPANGLE" BEDROOM, KNOLE | [101] | |
| COUCH, CHAIR, AND SINGLE CHAIR (PENSHURST PLACE) facing | [104] | |
| "FOLDING" AND "DRAWINGE" TABLE | [106] | |
| CHAIRS, STUART PERIOD | [107] | |
| CHAIR USED BY CHARLES I. DURING HIS TRIAL | [108] | |
| SETTLE OF CARVED OAK facing | [108] | |
| TWO CARVED OAK CHAIRS | [109] | |
| STAIRCASE IN GENERAL IRETON'S HOUSE | [110] | |
| SETTEE AND CHAIR (PENSHURST PLACE) facing | [110] | |
| SEDES BUSBIANA | [112] | |
| THE MASTER'S CHAIR IN THE BREWERS' HALL | [115] | |
| CARVED OAK "LIVERY" CUPBOARD | [116] | |
| THREE CHAIRS FROM HAMPTON COURT, HARDWICKE, AND KNOLE facing | [116] | |
| CARVED OAK SCREEN IN STATIONERS' HALL | [117] | |
| SILVER FURNITURE AT KNOLE | [119] | |
| THREE CHIMNEY PIECES BY JAMES GIBBS facing | [122] | |
| CHAIR IN HOLLAND HOUSE, DESIGNED BY CLEYN | [123] | |
| CHAPTER V. | ||
| PATTERN OF A CHINESE LAC SCREEN | [124] | |
| AN EASTERN (SARACENIC) TABLE, as Ornament to Initial Letter | [125] | |
| JAPANESE CABINET OF RED CHASED LACQUER-WORK | [130] | |
| CASKET OF INDIAN LACQUER WORK | [134] | |
| DOOR OF CARVED SANDAL WOOD FROM TRAVANCORE facing | [136] | |
| PERSIAN INCENSE BURNER OF ENGRAVED BRASS | [137] | |
| GOVERNOR'S PALACE, MANFALÛT | [140] | |
| SPECIMEN OF SARACENIC PANELLING | [141] | |
| CARVED DOOR OF SYRIAN WORK | [142] | |
| SHAPED PANEL OF SARACENIC WORK | [143] | |
| CHAPTER VI. | ||
| BOULE ARMOIRE (HAMILTON PALACE) | [144] | |
| VIGNETTE OF A LOUIS QUATORZE COMMODE, as Ornament to Initial Letter | [145] | |
| BOULE ARMOIRE (Jones Collection) facing | [146] | |
| PEDESTAL CABINET BY BOULE (Jones Collection) | [148] | |
| A CONCERT IN THE REIGN OF LOUIS XIV. | [149] | |
| A BOUDOIR (LOUIS XIV. PERIOD) | [150] | |
| DECORATION OF A SALON IN THE LOUIS XIV. STYLE facing | [150] | |
| A BOULE COMMODE | [152] | |
| FRENCH SEDAN CHAIR facing | [152] | |
| A SCREEN PANEL BY WATTEAU | [153] | |
| CARVED AND GILT CONSOLE TABLE | [154] | |
| LOUIS XV. "FAUTEUIL" (CARVED AND GILT) | [155] | |
| LOUIS XV. COMMODE (Jones Collection) | [156] | |
| A PARQUETERIE COMMODE | [157] | |
| PART OF A SALON (LOUIS XV.) | [158] | |
| "BUREAU DU ROI" facing | [158] | |
| PART OF A SALON IN LOUIS XVI. STYLE | [160] | |
| A MARQUETERIE CABINET (Jones Collection) | [162] | |
| WRITING TABLE (RIESENER) facing | [162] | |
| THE "MARIE ANTOINETTE" WRITING TABLE | [164] | |
| BEDSTEAD OF MARIE ANTOINETTE facing | [164] | |
| A CYLINDER SECRETAIRE (Rothschild Collection) | [165] | |
| AN ARM CHAIR (LOUIS XVI.) | [166] | |
| CARVED AND GILT SETTEE AND ARM CHAIR following | [166] | |
| A SOFA EN SUITE | [166] | |
| A MARQUETERIE ESCRITOIRE (Jones Collection) | [167] | |
| A NORSE INTERIOR, SHEWING FRENCH INFLUENCE | [169] | |
| A SECRETAIRE WITH SEVRES PLAQUES | [170] | |
| A CLOCK BY ROBIN (Jones Collection) | [171] | |
| HARPSICHORD, ABOUT 1750 | [172] | |
| CHAPTER VII. | ||
| VIGNETTE OF A CHIPPENDALE GIRANDOLE, as Ornament to Initial Letter | [173] | |
| FAC-SIMILE OF DRAWINGS BY ROBERT ADAM | [175] | |
| ENGLISH SATIN WOOD DRESSING TABLE following | [176] | |
| CHIMNEY-PIECE AND OVERMANTEL, DESIGNED BY W. THOMAS following | [176] | |
| TWO CHIPPENDALE CHAIRS IN THE "CHINESE" STYLE | [177] | |
| FAC-SIMILE OF TITLE PAGE OF CHIPPENDALE'S "GENTLEMAN AND CABINET MAKER'S DIRECTOR" | [178] | |
| TWO BOOK CASES FROM CHIPPENDALE'S "DIRECTOR" facing | [178] | |
| TEA CADDY CARVED IN THE FRENCH STYLE (CHIPPENDALE) | [179] | |
| A BUREAU FROM CHIPPENDALE'S "DIRECTOR" | [180] | |
| A DESIGN FOR A STATE BED FROM CHIPPENDALE'S "DIRECTOR" following | [180] | |
| "FRENCH" COMMODE AND LAMP STANDS | [180] | |
| BED PILLARS | [180] | |
| CHIMNEY-PIECE AND MIRROR | [180] | |
| PARLOUR CHAIRS BY CHIPPENDALE | [181] | |
| CLOCK CASE BY CHIPPENDALE | [182] | |
| CHINA SHELVES, DESIGNED BY W. INCE | [184] | |
| GIRANDOLES AND PIER TABLE, DESIGNED BY W. THOMAS | [185] | |
| PARLOUR CHAIRS, DESIGNED BY W. INCE | [187] | |
| LADIES' SECRETAIRES, DESIGNED BY W. INCE | [188] | |
| DESK AND BOOKCASE, DESIGNED BY W. INCE | [189] | |
| CHINA CABINET, DESIGNED BY J. MAYHEW | [190] | |
| "DRESSING CHAIRS," DESIGNED BY J. MAYHEW | [191] | |
| DESIGNS OF FURNITURE FROM HEPPLEWHITE'S "GUIDE" facing | [192] | |
| PLAN OF A ROOM (HEPPLEWHITE) | [193] | |
| INLAID TEA CADDY AND TOPS OF PIER TABLES, FROM HEPPLEWHITE'S "GUIDE" | [194] | |
| KNEEHOLE TABLE BY SHERATON | [195] | |
| CHAIRS BY SHERATON | [196] | |
| CABINET AND BOOKCASE WITH SECRETAIRE, BY SHERATON | [197] | |
| CHAIR BACKS, FROM SHERATON'S "CABINET MAKER" | [198] | |
| A SIDEBOARD IN THE STYLE OF ROBERT ADAM facing | [200] | |
| TOILET GLASS AND URN STANDS | [201] | |
| CARVED JARDINIERE BY CHIPPENDALE | [202] | |
| CHAPTER VIII. | ||
| VIGNETTE OF AN EMPIRE TRIPOD, as Ornament to Initial Letter | [203] | |
| CABINET PRESENTED TO MARIE LOUISE facing | [204] | |
| STOOL AND ARM CHAIR (NAPOLEON I. PERIOD) | [205] | |
| NELSON'S CHAIRS BY SHERATON facing | [206] | |
| DRAWING ROOM CHAIR, DESIGNED BY SHERATON | [207] | |
| DRAWING ROOM CHAIR | [208] | |
| "CANOPY BED" BY SHERATON following | [208] | |
| "SISTERS' CYLINDER BOOKCASE" BY SHERATON | [208] | |
| SIDEBOARD AND SOFA TABLE (SHERATON) | [209] | |
| DESIGN OF A ROOM BY T. HOPE | [211] | |
| LIBRARY FAUTEUIL, FROM SMITH'S "BOOK OF DESIGNS" | [213] | |
| PARLOR CHAIRS | [214] | |
| BOOKCASE BY SHERATON facing | [214] | |
| DRAWING ROOM CHAIRS, FROM SMITH'S BOOK | [215] | |
| PRIE-DIEU IN CARVED OAK, DESIGNED BY MR. PUGIN | [218] | |
| SECRETAIRE AND BOOKCASE (German Gothic Style) | [219] | |
| CRADLE FOR H.M. QUEEN VICTORIA, BY H. ROGERS | [222] | |
| DESIGN FOR A TEA CADDY BY J. STRUDWICK | [223] | |
| DESIGN FOR ONE OF THE WINGS OF A SIDEBOARD BY W. HOLMES | [224] | |
| DESIGN FOR A WORK TABLE BY H. FITZCOOK | [225] | |
| VENETIAN STOOL OF CARVED WALNUT | [228] | |
| CHAPTER IX. | ||
| EXAMPLES OF DESIGN IN FURNITURE IN THE 1851 EXHIBITION:— | ||
| SIDEBOARD, IN CARVED OAK, BY GILLOW following | [228] | |
| CHIMNEY-PIECE AND BOOKCASE BY HOLLAND AND SONS | [228] | |
| CABINET BY CRACE | [228] | |
| BOOKCASE BY JACKSON AND GRAHAM | [228] | |
| GRAND PIANOFORTE BY BROADWOOD | [228] | |
| VIGNETTE OF A CABINET, MODERN JACOBEAN STYLE, as Ornament to Initial Letter | [229] | |
| LADY'S ESCRITOIRE BY WETTLI, BERNE | [230] | |
| LADY'S WORK TABLE AND SCREEN IN PAPIER MACHÉ | [232] | |
| SIDEBOARD (SIR WALTER SCOTT) BY COOKES, WARWICK following | [232] | |
| A STATE CHAIR BY JANCOWSKI, YORK | [232] | |
| SIDEBOARD, IN CARVED OAK, BY DURANT, PARIS | [232] | |
| BEDSTEAD, IN CARVED EBONY, BY ROULÉ, ANTWERP | [232] | |
| PIANOFORTE, BY LEISTLER, VIENNA | [232] | |
| BOOKCASE IN LIME TREE, BY LEISTLER, VIENNA | [232] | |
| CABINET, WITH BRONZE AND PORCELAIN, BY GAMBS, ST. PETERSBURG | [232] | |
| CASKET OF IVORY, WITH ORMULU MOUNTINGS, BY MATIFAT, PARIS | [233] | |
| TABLE AND CHAIR, IN THE CLASSIC STYLE, BY CAPELLO, TURIN | [234] | |
| CABINET OF EBONY, WITH CARNELIONS, BY LITCHFIELD AND RADCLYFFE | ||
| (1862 Exhibition, Paris) | [235] | |
| CABINET OF EBONY WITH BOXWOOD CARVINGS, BY FOURDINOIS, PARIS | ||
| (1867 Exhibition, London) following | [236] | |
| CABINET OF SATINWOOD, WITH WEDGWOOD PLAQUES, BY WRIGHT AND MANSFIELD | ||
| (1867 Exhibition, Paris) following | [236] | |
| CABINET OF EBONY AND IVORY BY ANDREA PICCHI, FLORENCE | ||
| (1867 Exhibition, Paris) following | [236] | |
| DINING ROOM BY BRUCE J. TALBERT facing | [238] | |
| THE ELLESMERE CABINET | [243] | |
| THE SALOON AT SANDRINGHAM HOUSE following | [244] | |
| THE DRAWING ROOM AT SANDRINGHAM HOUSE | [244] | |
| CARVED FRAME BY RADSPIELER, MUNICH | [248] |