CARVED OAK ELIZABETHAN BEDSTEAD.
A later purchase by the Science and Art Department, which was added to the Museum in 1891 for the extremely moderate price of £1,000, is the panelling of a room some 23ft. square and 12ft. 6in. high, from Sizergh Castle, Westmoreland. The chimney piece was unfortunately not purchased, but the Department has arranged the panelling as a room with a plaster model of the extremely handsome ceiling. The panelling is of richly figured oak, entirely devoid of polish, and is inlaid with black bog oak and holly, in geometrical designs, being divided at intervals by tall pilasters with flutings of bog oak and having Ionic capitals. The work was probably done locally, and from wood grown on the estate, and is one of the most remarkable examples in existence. The date is about 1560 to 1570, and it has been described in local literature as of nearly 200 years' age.
OAK WAINSCOTING.
From an old house in Exeter. S Kensington Museum.
PERIOD: ENGLISH RENAISSANCE (ABOUT 1550-75.)
While we are on the subject of panelling, it may be worth while to point out that with regard to old English work of this date, one may safely take it for granted that where, as in the South Kensington (Exeter) example, the pilasters, frieze, and frame-work are enriched, and the panels plain, the work was designed and made for the house, but when the panels are carved and the rest plain, they were bought, and then fitted up by the local carpenter.
Another Museum specimen of Elizabethan carved oak is a fourpost bedstead, with the arms of the Countess of Devon, which bears date 1593, and has all the characteristics of the time.
There is also a good example of Elizabethan woodwork in part of the interior of the Charterhouse, immortalised by Thackeray, when, as "Greyfriars," in the "Newcomes," he described it as the old school "where the colonel, and Clive, and I were brought up", and it was here that, as a "poor brother," the old colonel had returned to spend the evening of his gentle life, and, to quote Thackeray's pathetic lines, "when the chapel bell began to toll, he lifted up his head a little, and said 'Adsum!' It was the word we used at school when names were called."
This famous relic of old London, which fortunately escaped the Great Fire in 1666, was formerly an old monastery, which Henry VIII. dissolved in 1537, and the house was given some few years later to Sir Edward, afterwards Lord North, from whom the Duke of Norfolk purchased it in 1565, and the handsome staircase, carved with terminal figures and Renaissance ornament, was probably built either by Lord North or his successor. The woodwork of the Great Hall, where the pensioners still dine every day, is very rich, the fluted columns with Corinthian capitals, the interlaced strap work, and other details of carved oak, are characteristic of the best sixteenth century woodwork in England; the shield bears the date of 1571. This was the year when the Duke of Norfolk, who was afterwards beheaded, was released from the Tower on a kind of furlough, and probably amused himself with the enrichment of his mansion, then called Howard House. In the old Governors' room, formerly the drawing room of the Howards, there is a specimen of the large wooden chimney-piece of the end of the sixteenth century, painted instead of carved. After the Duke of Norfolk's death, the house was granted by the Crown to his son, the Earl of Suffolk, who sold it in 1611 to the founder of the present hospital, Sir Thomas Sutton, a citizen who is reputed to be one of the wealthiest of his time. Some of the furniture given by him will be found noticed in the chapter on the Jacobean period.