English Home Life in the Reign of James I.—Sir Henry Wotton quoted—Inigo Jones and his work—Ford Castle—Chimney Pieces in South Kensington Museum—Table in the Carpenters' Hall—Hall of the Barbers' Company—The Charterhouse—Time of Charles I.—Furniture at Knole—Eagle House, Wimbledon—Mr. Charles Eastlake—Monuments at Canterbury and Westminster—Settles, Couches, and Chairs of the Stuart period—Sir Paul Pindar's House—Cromwellian Furniture—The Restoration—Indo-Portuguese Furniture—Hampton Court Palace—Evelyn's description—The Great Fire of London—Hall of the Brewers' Company—Oak Panelling of the time—Grinling Gibbons and his work—The Edict of Nantes—Silver Furniture at Knole—William III. and Dutch influence—Queen Anne—Sideboards, Bureaus, and Grandfathers' Clocks—Furniture at Hampton Court.
N the chapter on "Renaissance" the great Art revival in England has been noticed; in the Elizabethan oak work of chimney pieces, panelling, and furniture, are to be found varying forms of the free classic style which the Renaissance had brought about. These fluctuating changes in fashion continued in England from the time of Elizabeth until the middle of the eighteenth century, when, as will be shewn presently, a distinct alteration in the design of furniture took place.
The domestic habits of Englishmen were getting more established. We have seen how religious persecution during preceding reigns, at the time of the Reformation, had encouraged private domestic life of families in the smaller rooms and apart from the gossiping retainer, who might at any time bring destruction upon the household by giving information about items of conversation he had overheard. There is a quaint passage in one of Sir Henry Wotton's letters, written in 1600, which shews that this home life was now becoming a settled characteristic of his countrymen.
"Every man's proper mansion house and home, being the theatre of his hospitality, the seate of his selfe fruition, the comfortable part of his own life, the noblest of his son's inheritance, a kind of private princedom, nay the possession thereof an epitome of the whole world well deserve by these attributes, according to the degree of the master, to be delightfully adorned."
OAK CHIMNEY PLACE IN SIR WALTER RALEIGH'S HOUSE, YOUGHAL, IRELAND.
Said to be the work of a Flemish Artist, who was brought over for the purpose of executing this and other carved work at Youghal.
Sir Henry Wotton was Ambassador in Venice in 1604, and is said to have been the author of the well-known definition of an ambassador's calling, namely, "an honest man sent to lie abroad for his country's good." This offended the piety of James I., and caused him for some time to be in disgrace. He also published, some 20 years later, "Elements of Architecture," and being an antiquarian and man of taste, sent home many specimens of the famous Italian wood carving.
It was during the reign of James I. and that of his successor that Inigo Jones, our English Vitruvius, was making his great reputation; he had returned from Italy full of enthusiasm for the Renaissance of Palladio and his school, and of knowledge and taste gained by a diligent study of the ancient classic buildings of Rome. His influence would be speedily felt in the design of woodwork fittings, for the interiors of his edifices. There is a note in his own copy of Palladio, which is now in the library of Worcester College, Oxford, which is worth quoting:—