Note 2. A proof that the feeling against England is increasing, is the singular fact that latterly they insist upon calling the English foreigners, a term which they formerly applied to all other nations, but not to ourselves.
Volume Two—Chapter Five.
Society.—General Character, etcetera.
The character of the Americans is that of a restless, uneasy people—they cannot sit still, they cannot listen attentively, unless the theme be politics or dollars—they must do something, and, like children, if they cannot do anything else, they will do mischief—their curiosity is unbounded, and they are very capricious. Acting upon impulse, they are very generous at one moment, and without a spark of charity the next. They are good-tempered, and possess great energy, ingenuity, bravery, and presence of mind. Such is the estimate I have formed of their general character, independent of the demoralising effects of their institutions, which renders it so anomalous.
The American author, Mr Sanderson, very truly observes of his countrymen, that, “they have grown vicious without the refinements and distractions of the fine arts and liberal amusements.” The Americans have few amusements; they are too busy. Athletic sports they are indifferent to; they look only to those entertainments which feed their passion for excitement. The theatre is almost their only resort, and even that is not so well attended as it might be, considering their means. There are some very good and well-conducted theatres in America: the best are the Park and National at New York, the Tremont at Boston, and the Chesnut Street Theatre at Philadelphia. The American stock actors, as they term those who are not considered as stars, are better than our own; but were the theatres to depend upon stock actors they would be deserted—the love of novelty is the chief inducement of the Americans to frequent the theatre, and they look for importations of star actors from this country as regularly as they do for our manufactured goods, or the fashions from Paris. In most of the large cities they have two theatres; one for legitimate drama, and the other for melodrama, as the Bowery Theatre at New York, and the Walnut Street Theatre in Philadelphia; these latter are seldom visited by the aristocratical portion of the citizens.
The National Theatre at New York was originally built as an opera house, and the company procured from the Havannah; but the opera, from want of support, was a failure. It has since been taken by Mr James Wallack, in opposition to the Park Theatre. The two first seasons its success was indifferent; the Park having the advantage in situation, as well as of a long-standing reputation. But, latterly, from the well-known talent and superior management of Mr Wallack, and from his unwearied exertions in providing novelties for the American public, it has been very successful; so much so, that it is said this last year to have decidedly obtained the superiority over its rival. I have seen some splendid representations in the National Theatre, with a propriety in scenery and costume which is seldom exceeded even in our great theatres.
Indeed, in three seasons, Mr Wallack has done much to improve the national taste; and from his exertions, the theatres in general in America may be said to have been much benefited. But there is one objection to this rivalry between the Park and National; which is, that the stars go out too fast, and they will soon be all expended. Formerly things went on very regularly: Mr Price sent out to Mr Simpson, duly invoiced, a certain portion of talent for every season; and Mr Simpson, who is a very clever manager, first worked it up at New York, and then dispatched it to Boston, Philadelphia, and the other theatres in the Union. But, now, if Mr Simpson has two stars sent to him, James Wallack comes home, and takes out three; whereupon, Mr Price sends out a bigger star; and so they go on; working up the stars so fast, that the supply will never equal the demand. There are not more than two or three actors of eminence in England, who have not already made their appearance on the American boards; and next season will probably use them up. It is true, that some actors can return there again and again; as Power, who is most deservedly a favourite with them, and Ellen Tree, who is equally so. Celeste has realised a large fortune. Mrs Wood, and the Keeleys, were also very great favourites; but there are not many actors who can venture there a second time; at least, not until a certain interval has elapsed for the Americans to forget them. When there are no longer any stars, the theatres will not be so well attended; as, indeed, is the case every where. To prove how fond the Americans are of anything that excites them, I will mention a representation which I one day went to see—that of the “Infernal Regions.” There were two or three of these shewn in the different cities in the States. I saw the remnants of another, myself; but, as the museum-keeper very appropriately observed to me, “It was a fine thing once, but now it had all gone to hell.” You entered a dark room; where, railed off with iron railings, you beheld a long perspective of caverns in the interior of the earth, and a molten lake in the distance. In the foreground were the most horrible monsters that could be invented—bears with men’s heads, growling—snakes darting in and out, hissing—here a man lying murdered, with a knife in his heart; there—a suicide, hanging by the neck—skeletons lying about in all directions, and some walking up and down in muslin shrouds. The machinery was very perfect. At one side was the figure of a man sitting down, with a horrible face; boar’s tusks protruding from his mouth, his eyes rolling, and horns on his head; I thought it was mechanism as well as the rest; and was not a little surprised when it addressed me in a hollow voice: “We’ve been waiting some time for you, captain.” As I found he had a tongue, I entered into conversation with him. The representation wound up with showers of fire, rattling of bones, thunder, screams, and a regular cascade of the d—d, pouring into the molten lake. When it was first shewn, they had an electric battery communicating with the iron railing; and whoever put his hand on it, or went too near, received a smart electric shock. But the alarm created by this addition was found to be attended with serious consequences, and it had been discontinued.
The love of excitement must of course produce a love of gambling, which may be considered as one of the American amusements: it is, however, carried on very quietly in the cities. In the South, and on the Mississippi, it is as open as the noon day; and the gamblers may be said to have there become a professional people. I have already mentioned them, and the attempts which have been made to get rid of them. Indeed, they are not only gamesters who practice on the unwary, but they combine with gambling the professions of forgery, and uttering of base money. If they lose, they only lose forged notes. There is no part of the world where forgery is carried on to such an extent as it is in the United States; chiefly in the Western country. The American banks are particularly careful to guard against this evil, but the ingenuity of these miscreants is surprising, and they will imitate so closely as almost to escape detection at the banks themselves. Bank-note engraving is certainly carried to the highest state of perfection in the United States, but almost in vain. I have myself read a notice, posted up at Boston, which may appear strange to us. “Bank notes made here to any pattern.” But the Eastern banks are seldom forged upon. Counterfeit money is also very plentiful. When I was in the West, I had occasion to pay a few dollars to a friend: when I saw him a day or two afterwards, he said to me, “Do you know that three dollars you gave me were counterfeits?” I apologised, and offered to replace them, “Oh! no,” replied he; “it’s of no consequence. I gave them in payment to my people, who told me that they were counterfeit; but they said it was of no consequence, as they could easily pass them.” In some of the States lotteries have been abolished, in others they are still permitted. They are upon the French principle, and are very popular.