“Pardon me, madam: the fact is,” continued Seagrove, “that, as I always have to back Ponsonby’s horses, he thought it right that, in this instance, I should back him; he required special pleading, but his uncle tried him for the capital offence, and he was not allowed counsel. As soon as we arrived, and I had bowed myself into the room, Mr Ponsonby bowed me out again—which would have been infinitely more jarring to my feelings, had not the door been left a-jar.”
“Do anything but pun, Seagrove,” interrupted Hautaine.
“Well, then, I will take a glass of wine.”
“Do so,” said his lordship; “but recollect the whole company are impatient for your story.”
“I can assure you, my lord, that it was equal to any scene in a comedy.”
Now be it observed that Mr Seagrove had a great deal of comic talent; he was an excellent mimic, and could alter his voice almost as he pleased. It was a custom of his to act a scene as between other people, and he performed it remarkably well. Whenever he said that anything he was going to narrate was “as good as a comedy,” it was generally understood by those who were acquainted with him that he was to be asked so to do. Cecilia Ossulton therefore immediately said, “Pray act it, Mr Seagrove.”
Upon which, Mr Seagrove—premising that he had not only heard, but also seen all that passed—changing his voice, and suiting the action to the word, commenced.
“It may,” said he, “be called:—
“Five Thousand Acres in a Ring-Fence.”
We shall not describe Mr Seagrove’s motions; they must be inferred from his words.