Mystic Isles of the South Seas.

by Frederick O'Brien

The confused mass of lofty ridges resolved into chasms and combes, dark, sunless ravines, moist with the spray of many waterfalls, which nearer became velvet valleys of pale green, masses of foliage and light and shadow. The mountains of Moorea were only half the height of Tahiti’s, but so artfully had they been piled in their fantastic arrangement that they seemed as high, though they were entirely different in their impress upon the beholder. Tahiti from the sea was like a living being, so vivid, so palpitating was its contour and its color, but Moorea, when far away, was cold and black, a beautiful, ravishing sight, but like the avatars of a race of giants that had passed, a sepulcher or monument of their achievements and their end.

As about Tahiti, a silver belt of reef took the rough caresses of the lazy rollers, and let the glistening surf break gently on the beach. Along this wall of coral, hidden, but charted by its crown of foam, we ran for miles until we found the gateway—the blue buckle of the belt, it appeared at a distance.

Within the lagoon the guise of the island was more intimate. Little bays and inlets bounded themselves, and villages and houses sprang up from the tropic groves. The band, which so far as I knew had not been silent a moment to awaken me from my adoration of the sculpture and painting of nature, now poured out the “Himene Tatou Arearea” in token of our approaching landing, which was at Faatoai, the center of population. All its hundred or two inhabitants were at the tiny dock to greet us, except the Chinese, who stayed in their stores.

Headed by the pipe and accordion, the brass and wood, now playing “Onward, Christian Soldier,”—which, if one forgot the words, was an especially carnal melody,—we tramped, singing a parody, through the street of Faatoai, and into a glorious cocoanut grove, where breakfast was spread.

A pavilion had been erected for our feasting. It was of bamboo and pandanus, the interior lined with tree ferns and great bunches of scarlet oleander, and decorated with a deep fringe woven of hibiscus fiber. The roof was a thatch of pandanus and breadfruit leaves, the whole structure, light, flimsy, but a gamut of golds and browns in color and cool and beautiful.

A table fifty feet or longer was made of bamboo, the top of twenty half sections of the rounded tubes, polished by nature, but slippery for bottles and glasses. A bench ran on both sides, and underfoot was the deep-green vegetation that covers every foot of ground in Moorea except where repeated footfalls, wheels, or labor kills it, and which is the rich stamp of tropic fertility.

The barrels of beer were unheaded, the demi-johns from Bordeaux were uncorked, and from the opened bottles the sugary odor of Tahiti rum permeated the hot air. The captain of the Potii Moorea and the hired steward began to set the table for the déjeuner and to prepare the food, some of which was being cooked a few feet away by the steward’s kin. The guests disposed themselves at ease to wait for the call to meat, the bandsmen lit cigarettes and tuned their instruments or talked over their program, while they wetted their throats with the rum, as admonished by the “Himene Tatou Arearea.”

I strolled down the road along the shore of the lagoon. Here was erected the first Christian church in this archipelago. British Protestant missionaries, who had led a precarious life in Tahiti, and fled from it to Australia in fear of their lives, were induced to come here and establish a mission. The King of Tahiti, Pomaré, had fled to Moorea after a desperate struggle with opposing clans, and he welcomed the preachers as additions to his strength. The high priest of the district, Patii, collected all the gods under his care, and they were burned, with a Bible in sight, to the exceeding fear of the native heathen, and the holy anger of the other native clergy, who felt as Moses did when he saw his disciples worshiping a golden calf. On the very spot I stood had been the marae, or Tahitian temple, in which the images were housed, now a rude heap of stones. A hundred years ago exactly this exchange of deities had been made. Alas! it could not have been the true Christ who was brought to them, for they had flourished mightily under Oro, and they began almost at once to die. Not peace, but a sword, a sword of horrors, of frightful ills, was brought them.

There was a little canoe under a noble cocoanut-tree on the shell-strewn and crab-haunted coral beach, the roots of the palm partly covered by the salt water, and partly by a tangle of lilac marine convolvulus. I pushed the tiny craft into the brine, and paddled off on the still water of the shining lagoon.

No faintest agitation of the surface withheld a clear view of the marvelous growths upon the bottom. I peered into a garden of white and vari-colored flowers of stone, of fans and vases and grotesque shapes, huge sponges and waving bushes and stunted trees. Fish of a score of shapes and of all colors of the spectrum wove in and out the branches and caverns of this wondrous parterre.