"All right," she said; "we'll go."
It was a harlequin crowd at Maxim's—a noisier, tenser, more hectic crowd than at the Riche. The room was gray with smoke, and everywhere she looked were gold-tipped wine bottles. Though it was still early, there was much hysterical laughter and much tossing about of long streamers of colored paper and confetti. As they entered she instinctively shrank away from it. Had the waiter delayed another second before leading them to a table, she would have gone out.
Monte ordered the wine he was expected to order, but Marjory scarcely touched it to her lips, while he was content to watch it bubble in his glass. He did not like to have her here, and yet it was almost worth the visit to watch her eyes grow big, to watch her sensitive mouth express the disgust she felt for the mad crowd, to have her unconsciously hitch her chair nearer his.
"The worst of it is," he explained to her, "it's the outsiders who are doing all this—Americans, most of them."
Suddenly, from behind them, a clear tenor voice made itself heard through the din. The first notes were indistinct; but in a few seconds the singer had the room to himself. Turning quickly, Marjory saw the slender figure of Hamilton, swaying slightly, standing by a table, his eyes leveled upon hers. He was singing "The Rosary"—singing it as only he, when half mad, could sing it.
She clutched Monte's hand as he half rose from his seat.
"Please," she whispered, "it's best to sit still."
Stronger and stronger the plaintive melody fell from his lips, until finally the orchestra itself joined. Women strained forward, and half-dazed men sat back and listened with bated breath. Even Monte forgot for a moment the boldness that inspired Hamilton, and became conscious only of Marjory's warm fingers within his. So, had the singer been any one else, he would have been content to sit to the end. But he knew the danger there. His only alternative, however, was to rise and press through the enraptured crowd, which certainly would have resented the interruption. It seemed better to wait, and go out during the noisy applause that was sure to follow.
At the second verse Hamilton, still singing, came nearer. A path opened before him, as before an inspired prophet. It was only Monte who moved his chair slightly and made ready. Still there was nothing he could do until the man committed some overt act. When Hamilton concluded his song, he was less than two feet away. By then Monte was on his feet. As the applause swept from every corner of the room, Hamilton seized from a near-by table a glass of wine, and, raising it, shouted a toast:—
"To the bride."