With ripening grain and sweet-smelling harvests of clover and hay in the background and weeds and wild grass in the foreground, the area of vegetation in the opulence of midsummer was demarked from the area of shell-craters, trenches and explosions. You had the majesty of battle and the desolation of war; nature's eternal seeding and fruiting alongside the most ruthless forms of destruction. In the clear air the black bursts of the German high explosives hammering Mametz Wood, as if in revenge for its loss, seemed uglier and more murderous than usual; the light smoke of shrapnel had a softer, more lingering quality; soldiers were visible distinctly at a great distance in their comings and goings; the water carts carrying water up to the first line were a kind of pilgrim circuit riders of that thirsty world of deadly strife; a file of infantry winding up the slope at regular intervals were silhouettes as like as beads on a string. The whole suggested a hill of ants which had turned their habits of industry against an invader of their homes in the earth, and the columns of motor trucks and caissons ever flowing from all directions were as a tide, which halted at the foot of the slope and then flowed back.
There were shell-bursts wherever you looked, with your attention drawn to Contalmaison as it would be to a gathering crowd in the thick of city traffic. All the steel throats in clumps of woods, under cover of road embankments, in gullies and on the reverse side of slopes, were speaking. The guns were giving to Contalmaison all they had to give and the remaining walls of the chateau disappeared in a fog like a fishing smack off the Grand Banks. Super-refined, man-directed hell was making sportive chaos in the village which it hid with its steaming breath cut by columns of black smoke from the H.E.'s and crowned with flashes of shrapnel; and under the sun's rays the gases from the powder made prismatic splendor in flurries and billows shot with the tints of the rainbow.
Submerging a simple farming hamlet in this kind of a tempest was only part of the plan of the gunners, who cut a pattern of fire elsewhere in keeping with the patterns of the German trenches, placing a curtain of fire behind the town and another on the edge, and at other points not a curtain but steady hose-streams of fire. Answering German shells revealed which of the chalky scars on the slope was the British first-line trench, and from this, as steam from a locomotive runs in a flying plume along the crest of a railway cutting, rose a billowing wall of smoke which was harmless, not even asphyxiating, its only purpose being to screen the infantry attack, with a gentle breeze sweeping it on into the mantle over Contalmaison as the wind carries the smoke of a prairie fire. Lookout Mountain was known as the battle in the clouds, where generals could not see what their troops were doing. Now all battles are in a cloud.
From the first-line British trench the first wave of the British attack moved under cover of the smoke-screen and directly you saw that the shells had ceased to fall in Contalmaison. Its smoke mantle slowly lifting revealed fragmentary walls of that sturdy, defiant chateau still standing. Another wave of British infantry was on its way. Four waves in all were to go in, each succeeding one with its set part in supporting the one in front and in mastering the dugouts and machine gun positions that might have survived.
With no shells falling in Contalmaison, the bomb and the bayonet had the stage to themselves, a stage more or less hemmed in by explosions and with a sweep of projectiles from both sides passing over the heads of the cast in a melodrama which had "blessed little comedy relief," as one soldier put it. The Germans were already shelling the former British first line and their supports, while the British maintained a curtain of fire on the far side of the village to protect their infantry as it worked its way through the débris, and any fire which they had to spare after lifting it from Contalmaison they were distributing on different strong points, not in curtains but in a repetition of punches. It was the best artillery work that I had seen and its purpose seemed that of a man with a stick knocking in any head that appeared from any hole.
Act III. now. The British curtain of fire was lifted from the far edge of the village, which meant that the infantry according to schedule should be in possession of all of the village. But they might not stay. They might be forced out soon after they sent up their signals. When the Germans turned on a curtain of fire succeeding the British fire this was further evidence of British success sufficient to convince any skeptic. The British curtain was placed beyond it to hold off any counter-attack and prevent sniping till the new occupants of the premises had "dug themselves in."
The Germans had not forgotten that it was their turn now to hammer Contalmaison, through which they thought that British reserves and fresh supplies of bombs must come; and I saw one of the first "krumps" of this concentration take another bite out of the walls of the chateau.
By watching the switching of the curtains of fire I had learned that this time Contalmaison was definitely held; and though they say that I don't know anything about news, I beat the communiqué on the fact as the result of my observation, which ought at least to classify me as a "cub" reporter.