"And you remained," he said.

"And you, also," she answered.

Their own silence seemed to become a thing apart from the silence of the infinite. It was as if both recognized a common thought that even the Eternal Painter could not compel oblivion of the past to which they did not return; of the faith of cities to which they had been bred. But it is one of the Eternal Painter's rules that no one of his subjects should ask another of his subjects why he stays on the desert. Jack was the first to speak, and his voice returned to the casual key.

"Usually I watch the sunset while we make camp," he said. "I am very late to-night—late beyond all habit; and sunset and sunrise do make one a creature of habit out here. Firio and my little train will grow impatient waiting for me."

"You mean the Indian and the burro with the silver bells that came over the pass some time before you?"

Of course they belonged to him, she was thinking, even as she made the inquiry. This play cowboy, with his absurdly enormous silver spurs, would naturally put bells on his burro.

"Yes, I sent Firio with Wrath of God and Jag Ear on ahead and told him to wait at the foot of the descent. Wrath of God will worry—he is of a worrying nature. I must be going."

In view of the dinosaur nonsense she was already prepared for a variety of inventional talk from him. As they started down from the pass in single file, she leading, the sun sank behind the hills, leaving the Eternal Painter, unhindered by a furnace glare in the centre of the canvas, to paint with a thousand brushes in the radiant tints of the afterglow.

"You don't like that one, O art critics!" we hear him saying. "Well, here is another before you have adjusted your pince-nez, and I will brush it away before you have emitted your first Ah! I do not criticise. I paint—I paint for the love of it. I paint with the pigments of the firmament and the imagination of the universe."

The two did not talk of that sky which held their averted glances, while knowing hoofs that bore their weight kept the path. For how can you talk of the desert sky except in the banality of exclamations? It is lèse majesté to the Eternal Painter to attempt description.