"It's all done to beat the Grays, isn't it, Miss Galland? They are trying to take our land," said Jacky Werther as Marta parted from him.
"Yes, it is done to beat the Grays," she answered. "Good luck, Jacky!"
Yes, yes, to beat the Grays! The same, idea—the fighting nature, the brute nature of man—animated both sides. Had the Browns really tried for peace? Had they, in the spirit of her oath, appealed to justice and reason? Why hadn't their premier before all the world said to the premier of the Grays, as one honest, friendly neighbor to another over a matter of dispute:
"We do not want war. We know you outnumber us, but we know you would not take advantage of that. If we are wrong we will make amends; if you are wrong we know that you will. Let us not play tricks in secret to gain points, we civilized nations, but be frank with each other. Let us not try to irritate each other or to influence our people, but to realize how much we have in common and that our only purpose is common progress and happiness."
But no. This was against the precedent of Cain, who probably got Abel into a cul-de-sac, handed down to the keeping of the Roman aristocrat, the baron, the first Galland, and the fat, pompous little man. It would deprive armies of an occupation. It would make statesmanship too simple and naïve to have the distinction of craft, which gave one man the right to lead another. Both sides had to act in the old fashion of mutual suspicion and chicanery.
She was overwrought in the fervor of her principles; she was in an anguish of protest. Her spirit, in arms against an overwhelming fact that was wrong, sinful, ridiculous, demanded some expression in action. Now she was half running, both running away from horror and toward horror; in a shuttle of resolutions and emotions: a being at war with war. Passing the head of the procession, she soon had the castle road to herself, except for orderlies on motor-cycles and horseback, until a train of automobile wagons loaded with household goods roared by. The full orchestra of war was playing right and left: crashing, high-pitched gun-booms near at hand; low-pitched, reverberating gun-booms in the distance. At the turn of the road in front of the castle she saw the gunners of the batteries that Feller had watched approaching making an emplacement for their guns in a field of carrots that had not yet been harvested. The roots of golden yellow were mixed with the tossing spadefuls of earth.
A shadow like a great cloud in mad flight shot over the earth, and with the gunners she looked up to see a Gray dirigible. Already it was turning homeward; already it had gained its object as a scout. On the fragile platform of the gondola was a man, seemingly a human mite aiming a tiny toy gun. His target was one of the Brown aeroplanes.
"They're in danger of cutting their own envelope! They can't get the angle! The plane is too high!" exclaimed the artillery commander. Both he and his men forgot their work in watching the spectacle of aerial David against aerial Goliath. "If our man lands with his little bomb, oh, my!" he grinned. "That's why he is so high. He's been waiting up there."
"Pray God he will!" exclaimed one of the gunners.
"Look at him volplane—motor at full speed, too!"