"Why not? Let's see the whole shop while we are at it."

Helen ran upstairs, wondering if he were making fun of her. Not one word of praise had he spoken. He had given no sign of enthusiasm. Yet he had asked her if she had ever tried etching and wanted to see this painting which she drew from under a pile of clothes on the cupboard shelf. Well, if the great art dealer had come from Paris to see the whole shop, then he should see it. Let him be amused. She did not care. He could not hurt her feelings; he should not see that she minded when he told her the worst.

"Helen's painting is only for fun," Henriette was explaining to M. Vailliant as they waited for Helen's return. "Please don't be too critical. She is very sensitive."

"Oh, no. I realise that she is not a serious painter like you, Mademoiselle. I thought I should like to see what ideas of colour she had. Why not?" M. Vailliant mused, as he picked out two from the pile of charcoals on the table and laid them on top in a sort of bored, add-six-and-multiply-by-four manner.

When Helen returned with her painting, a little thing of a wet shepherd and his dog in a burst of soft, apologetic sunlight through the mist, he took it from her with a casual nod and having set it on the mantelpiece stepped slowly backward and resumed his lip-movements, which he interrupted long enough to ask Helen if she had had any lessons in painting.

"I've only watched Henriette and taken some of her colours and splotched, as I call it," she replied almost defiantly.

But he only muttered, "Impressionistic!" between his puffs and suckings.

"Yes, that is what I should say!" put in Henriette.

"I know it!" exclaimed Helen, with an abruptness that startled him out of his mannerism into an intense glance at her. She was laughing, her chin up, the regular teeth showing in a white line. If ever eyes had invited any critic to shoot his sharpest darts they were hers. "And the exhibition?" she demanded. "Shall we hold it in the Salon itself or at the Louvre?"

M. Vailliant opened his mouth as if he were about to say something emotional; then rubbed his chin and stepped to one side to have another look at the painting.