The procession is passing; trapper and Indian fighter; teamsters with dust in the deep lines of their faces––dust from the long dry trail to old Santa Fé; stage-drivers who have been sleeping the long sleep under waving wheat-fields where alkali flats once stretched away toward the vague blue mountains; and riders of the pony express. A tall form emerges from the past’s dim background, and comes on among them.
Six feet and an inch to spare, modeled as finely as an old Greek statue, with eyes of steel grey, sweeping mustache and dark brown hair that hangs to his shoulders, he moves with catlike grace. Two forty-fives hang by his narrow hips; there is a hint of the cavalier in his dropping sombrero and his ornately patterned boots. This is Wild Bill Hickok; he was to have gone with Custer, but a coward’s bullet cheated him out of the chance to die fighting by the Little Big Horn and they buried him in the Black Hills in the spring of 1876.
James B. Hickok was the name by which men called him until one December day in the early sixties when the McCandless gang of outlaws tried to drive the horses off from the Rock Creek station of the Overland Stage on the plains of southwestern Nebraska near the Kansas boundary.
There were ten of the desperadoes, and Hickok, who was scarcely more than a boy then, was alone in the little sod house, for Doc Brinck, his partner, was off hunting that afternoon. He watched their approach from the lonely cubicle where he and Brinck passed their days as station-keepers. They rode up through the cottonwoods by the creek. Bill McCandless leaped from the saddle and swaggered to the corral bars.
“The first man lays a hand on those bars, I’ll shoot,” Hickok called. They answered his warning with a volley, and their leader laughed as he dragged the topmost railing from its place. Laughing he died.
Now the rifles of the others rained lead against the sod walls and slugs buzzed like angry wasps through the window. He killed one more by the corral and a 285 third who had crept up behind the wooden well-curb. The seven who were left retired to the cottonwoods to hold council. They determined to rush the building and batter down the door.
When they came forth bearing a dead tree-trunk between them, he got two more of them. And then the timber crashed against the flimsy door; the rended boards flew across the room; the sod walls trembled to the shock. He dropped his rifle and drew his revolver as he leaped to meet them.
Jim McCandless and another pitched forward across the threshold with leveled shotguns at their shoulders. Young Hickok ducked under the muzzle of the nearest weapon, and its flame seared his long hair as he swung for the bearer’s mid-section with all the weight of his body behind the blow. Whirling with the swiftness of a fighting cat he spurned the senseless outlaw with his boot and “threw down” on McCandless. Revolver and shotgun flamed in the same instant; McCandless fell dead; Hickok staggered back with eleven buckshot in his body.
The other three were on him before he recovered his balance. He felt the searing of their bowie-knives against his ribs as they bore him down on the bed. Fingers closed in on his windpipe. He seized the arm in his two hands and twisted it, as one would twist a stick, until the bones snapped. He struggled to his feet, and the warm blood bathed his limbs as he hurled the two who were left across the room.