It is not surprising that so powerful an engine as the Press should have attracted the combined attention of the learned and ingenious. Gentlemen have devoted much of their time to it. Among these may be mentioned Horace Walpole, who printed several of his favorite works at his seat, Strawberry Hill; Sir Egerton Brydges, at Lee Priory; and the late Earl Stanhope, at his family mansion, Chevening, Kent. To no one, probably, is the present advanced stage of Printing more indebted than to the last-named nobleman. With a natural talent for mechanical invention which no difficulty could subdue, he applied his enlightened mind with persevering ardour to a variety of useful objects, especially to the improvement of Printing. The result was not only the production of the most complete Printing Press then known, together with a variety of collateral improvements, but the increasing, if not originating, that impulse which has since carried this important branch of art so near to perfection.
To those who are accustomed to Printing, and who are aware how much its beauty depends on what is called the Press-work, to produce which long practice and great manual dexterity are necessary, it might have appeared impossible that any Machine could have been invented to perform such an operation with any degree of precision and success; yet this the continued labour of mechanical ingenuity has accomplished.
The Steam Printing Press is perhaps one of the most complete specimens of the perfection of mechanical contrivance ever afforded. To this the public are in a great degree indebted for that early and rapid communication of intelligence which is now brought down almost to the hour of the morning on which it is circulated. The Times Newspaper, which was the first to adopt this astonishing invention, is still printed by it with a rapidity which is scarcely conceivable.[10-*] An inspection of it cannot fail to gratify every intelligent observer. Its use has now become very general.
The Steam Press, however, is chiefly applicable where large numbers, or great speed are required; for ordinary works, and fine Printing, the hand Press is still preferred, and probably ever will be.
In a work like the present, it may not perhaps be deemed uninteresting to take a brief view of the
ORIGIN AND PROGRESS OF PRINTING.
There appears to be no reason to doubt that, from a very remote period in the history of the world, devices were used for the purpose of transmitting to after times the records of important events, but these are for the most part more a matter of curiosity than of positive information. Of the Origin of Printing as now practised, the Rev. Archdeacon Coxe gives the following account in his History of the House of Austria:—“It took its rise about the middle of the fifteenth century, and in the course of a few years reached that height of improvement which is scarcely surpassed even in the present times. The Invention was at first rude and simple, consisting of whole pages carved on Blocks of Wood,[12-*] and only impressed on one side of the leaf: the next step was the formation of moveable Types in Wood, and they were afterwards cut in Metal, and finally rendered more durable, regular, and elegant, by being Cast, or Founded.
“The consequence of this happy and simple discovery was a rapid series of improvements in every art and science, and a general diffusion of knowledge among all orders of society. Hitherto the tedious, uncertain, and expensive mode of multiplying books by the hand of the Copyist, had principally confined the treasures of learning to Monasteries,[14-*] or to persons of rank and fortune. Yet, even with all the advantages of wealth, Libraries were extremely scarce and scanty; and principally consisted of books of devotion and superstition, legends, or the sophistical disquisitions of the schoolmen. An acquaintance with the Latin classics was a rare qualification, and the Greek language was almost unknown in Europe; but the Art of Printing had scarcely become general before it gave a new impulse to genius and a new spirit to inquiry. A singular concurrence of circumstances contributed to multiply the beneficial effects derived from this invention, among which the most considerable were the protection afforded to literature and the arts by the States of Italy, and the diffusion of Greek learning by the literati who sought an asylum in Europe after the capture of Constantinople.
“A controversy has arisen concerning the first discoverer of the art of Printing, between the three towns of Haerlem, Mentz, and Strasburg, each, from a natural partiality, attributing it to their own countryman. The dispute, however, has turned rather on words than facts; and seems to have arisen from the different definitions of the word “Printing.” If we estimate the discovery from the invention of the principle, the honour is unquestionably due to Laurence Coster, a native of Haerlem, who first found out the method of impressing characters on paper, by means of carved blocks of wood. If moveable types be considered as a criterion, the merit of the discovery is due to John Gutenberg, of Mentz; and Schoeffer, in conjunction with Faust, was the first who founded Types of Metal.”—Coxe, vol. i. p. 421. 8vo.
Although some attempts have been made to support a different statement, it is pretty generally admitted that William Caxton, who had lived abroad and learned the art there, was the person who introduced Printing into England; in this Stowe, Leland, and others agree, that “in the almonry at Westminster, the Abbot of Westminster erected the first Press for Book-printing that ever was in England, about the year 1471; and where Wm. Caxton, Citizen and Mercer, who first brought it into England, first practised it.”